This paper presents a hybrid music recommender system that ranks musical pieces while efficiently maintaining collaborative and content-based data, i.e., rating scores given by users and acoustic features of audio signals. This hybrid approach overcomes the conventional tradeoff between recommendation accuracy and variety of recommended artists. Collaborative filtering, which is used on e-commerce sites, cannot recommend nonbrated pieces and provides a narrow variety of artists. Content-based filtering does not have satisfactory accuracy because it is based on the heuristics that the user's favorite pieces will have similar musical content despite there being exceptions. To attain a higher recommendation accuracy along with a wider variety of artists, we use a probabilistic generative model that unifies the collaborative and content-based data in a principled way. This model can explain the generative mechanism of the observed data in the probability theory. The probability distribution over users, pieces, and features is decomposed into three conditionally independent ones by introducing latent variables. This decomposition enables us to efficiently and incrementally adapt the model for increasing numbers of users and rating scores. We evaluated our system by using audio signals of commercial CDs and their corresponding rating scores obtained from an e-commerce site. The results revealed that our system accurately recommended pieces including nonrated ones from a wide variety of artists and maintained a high degree of accuracy even when new users and rating scores were added.

This paper presents a statistical method of single-channel speech enhancement that uses a variational autoencoder (VAE) as a prior distribution on clean speech. A standard approach to speech enhancement is to train a deep neural network (DNN) to take noisy speech as input and output clean speech. Although this supervised approach requires a very large amount of pair data for training, it is not robust against unknown environments. Another approach is to use non-negative matrix factorization (NMF) based on basis spectra trained on clean speech in advance and those adapted to noise on the fly. This semi-supervised approach, however, causes considerable signal distortion in enhanced speech due to the unrealistic assumption that speech spectrograms are linear combinations of the basis spectra. Replacing the poor linear generative model of clean speech in NMF with a VAE-a powerful nonlinear deep generative model-trained on clean speech, we formulate a unified probabilistic generative model of noisy speech. Given noisy speech as observed data, we can sample clean speech from its posterior distribution. The proposed method outperformed the conventional DNN-based method in unseen noisy environments.

This paper describes multichannel speech enhancement for improving automatic speech recognition (ASR) in noisy environments. Recently, the minimum variance distortionless response (MVDR) beamforming has widely been used because it works well if the steering vector of speech and the spatial covariance matrix (SCM) of noise are given. To estimating such spatial information, conventional studies take a supervised approach that classifies each time-frequency (TF) bin into noise or speech by training a deep neural network (DNN). The performance of ASR, however, is degraded in an unknown noisy environment. To solve this problem, we take an unsupervised approach that decomposes each TF bin into the sum of speech and noise by using multichannel nonnegative matrix factorization (MNMF). This enables us to accurately estimate the SCMs of speech and noise not from observed noisy mixtures but from separated speech and noise components. In this paper we propose online MVDR beamforming by effectively zing and incrementally updating the parameters of MNMF. Another main contribution is to comprehensively investigate the performances of ASR obtained by various types of spatial filters, i.e., time-invariant and variant versions of MVDR beamformers and those of rank-1 and full-rank multichannel Wiener filters, in combination with MNMF. The experimental results showed that the proposed method outperformed the state-of-the-art DNN-based beamforming method in unknown environments that did not match training data.

This paper describes a computationally-efficient blind source separation (BSS) method based on the independence, low-rankness, and directivity of the sources. A typical approach to BSS is unsupervised learning of a probabilistic model that consists of a source model representing the time-frequency structure of source images and a spatial model representing their inter-channel covariance structure. Building upon the low-rank source model based on nonnegative matrix factorization (NMF), which has been considered to be effective for inter-frequency source alignment, multichannel NMF (MNMF) assumes source images to follow multivariate complex Gaussian distributions with unconstrained full-rank spatial covariance matrices (SCMs). An effective way of reducing the computational cost and initialization sensitivity of MNMF is to restrict the degree of freedom of SCMs. While a variant of MNMF called independent low-rank matrix analysis (ILRMA) severely restricts SCMs to rank-1 matrices under an idealized condition that only directional and less-echoic sources exist, we restrict SCMs to jointly-diagonalizable yet full-rank matrices in a frequency-wise manner, resulting in FastMNMF1. To help inter-frequency source alignment, we then propose FastMNMF2 that shares the directional feature of each source over all frequency bins. To explicitly consider the directivity or diffuseness of each source, we also propose rank-constrained FastMNMF that enables us to individually specify the ranks of SCMs. Our experiments showed the superiority of FastMNMF over MNMF and ILRMA in speech separation and the effectiveness of the rank constraint in speech enhancement.

In this paper we present a system, AutoMashUpper, for making multi-song music mashups. Central to our system is a measure of “mashability” calculated between phrase sections of an input song and songs in a music collection. We define mashability in terms of harmonic and rhythmic similarity and a measure of spectral balance. The principal novelty in our approach centres on the determination of how elements of songs can be made fit together using key transposition and tempo modification, rather than based on their unaltered properties. In this way, the properties of two songs used to model their mashability can be altered with respect to transformations performed to maximize their perceptual compatibility. AutoMashUpper has a user interface to allow users to control the parameterization of the mashability estimation. It allows users to define ranges for key shifts and tempo as well as adding, changing or removing elements from the created mashups. We evaluate AutoMashUpper by its ability to reliably segment music signals into phrase sections, and also via a listening test to examine the relationship between estimated mashability and user enjoyment.