The relationship between the disparity and depth information of corresponding pixels is inversely proportional. Thus, in order to accurately estimate depth from stereo vision, it is important to obtain accurate disparity maps, which encode the difference between horizontal coordinates of corresponding image points. Stereo vision can be classified as either passive or active. Active stereo vision generates pattern texture, which passive stereo vision does not have, on the image to fill the textureless regions. In passive stereo vision, many surveys have discovered that disparity accuracy is heavily reliant on attributes, such as radiometric variation and color variation, and have found the best-performing conditions. However, in active stereo matching, the accuracy of the disparity map is influenced not only by those affecting the passive stereo technique, but also by the attributes of the generated pattern textures. Therefore, in this paper, we analyze and evaluate the relationship between the performance of the active stereo technique and the attributes of pattern texture. When evaluating, experiments are conducted under various settings, such as changing the pattern intensity, pattern contrast, number of pattern dots, and global gain, that may affect the overall performance of the active stereo matching technique. Through this evaluation, our discovery can act as a noteworthy reference for constructing an active stereo system.

When reconstructing a 3D object, it is difficult to obtain accurate 3D geometric information using a single camera. In order to capture detailed geometric information of a 3D object, it is inevitable to increase the number of cameras to capture the object. However, cameras need to be synchronized in order to simultaneously capture frames. If cameras are incorrectly synchronized, many artifacts are produced in the reconstructed 3D object. The RealSense RGB-D camera, which is commonly used for obtaining geometric information of a 3D object, provides synchronization modes to mitigate synchronization errors. However, the synchronization modes provided by theRealSense cameras can only sync depth cameras and have limitations in the number of cameras that can be synchronized using a single host due to the hardware issue of stable data transmission. Therefore, in this paper, we propose a novel synchronization method that synchronizes an arbitrary number of RealSense cameras by adjusting the number of hosts to support stable data transmission. Our method establishes a master–slave architecture in order to synchronize the system clocks of the hosts. While synchronizing the system clocks, delays that resulted from the process of synchronization were estimated so that the difference between the system clocks could be minimized. Through synchronization of the system clocks, cameras connected to the different hosts can be synchronized based on the timestamp of the data received by the hosts. Thus, our method synchronizes theRealSense cameras to simultaneously capture accurate 3D information of an object at a constant frame rate without dropping it.

One of the most crucial aspects of 3D facial models is facial reconstruction. However, it is unclear if face shape distortion is caused by identity or expression when the 3D morphable model (3DMM) is fitted into largely expressive faces. In order to overcome the problem, we introduce neural networks to reconstruct stable and precise faces in time. The reconstruction network extracts the 3DMM parameters from video sequences to represent 3D faces in time. Meanwhile, our displacement networks learn the changes in facial landmarks. In particular, the networks learn changes caused by facial identity, facial expression, and temporal cues, respectively. The proposed facial alignment network exhibits reliable and precise performance in reconstructing static and dynamic faces by leveraging these displacement networks. The 300 Videos in the Wild (300VW) dataset is utilized for qualitative and quantitative evaluations to confirm the effectiveness of our method. The results demonstrate the considerable advantages of our method in reconstructing 3D faces from video sequences.

한국멀티미디어학회(The Journal of Curriculum Evaluation)