Martine Mussies

Ms. Martine Mussies

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Research Focus & Metrics

Academic Career Length

10Years (2017-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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14 September 2023 in Transformative Works and Cultures
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Journal Article
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MMMartine Mussies
Martine Mussies
Artificial intelligence for image generation has become publicly available. Fans are using it to create fan art, which further blurs traditional ideas surrounding ownership.


15 December 2019 in Transformative Works and Cultures
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Journal Article
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MMMartine Mussies
Martine Mussies
For fan fiction based on the TV serial drama The Last Kingdom (2014–), some fan fiction authors use fragments of the translations of the Psalms by King Alfred of Wessex (849–899) to firmly ground their stories in the historical reimagination of the Anglo-Saxons. In the short story "Æthelflaed and Lagertha," fan fiction writer Bandi Crawford uses an Alfredian psalm to connect The Last Kingdom to another major TV series, Vikings (2013–). By developing bisexual and biromantic story lines along the lines of Alfredian psalms, the author constructs a twenty-first-century neomedieval-based culture in which the Alfredian psalms are reinterpreted or critically reexamined through a queer lens, thereby negotiating more diversity within a favorite show's story world.

18 April 2017 in Lecture Notes in Computer Science
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MMMartine Mussies
Martine Mussies
EMEmiel Maliepaard
Emiel Maliepaard

14 September 2021 in Transformative Works and Cultures
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Journal Article
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MMMartine Mussies
Martine Mussies
A close reading of two The Last Kingdom (2015–) fan fics hashtagged #NotMyBrexit, "One England" by BigHeartBigFart and "Under One Kingdom" by Honiejar (both 2019), shows that both authors use the (mediated character of) real-world King Alfred of Wessex (849–899) to comment on the Brexit transitional era. The authors mix contemporary references with historical associations to advocate for unity.

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Journal Article
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MMMartine Mussies
Martine Mussies
EMEmiel Maliepaard
Emiel Maliepaard
In feminist studies, the figure of the mermaid has long been regarded as flawed, disabled and less-than-human. Her theoretical counterpart in that respect would be the cyborg, an image used to show that with the aid of robotics, humankind could be larger than life. What would happen if we could combine those two images and apply them to create “super love” more-than-human relationships? This article explores the possibilities of technology for “mermaids”, people who normally fall outside the norm, to satisfy human desires in a new way. Two case studies will be presented, first we will look at people who identify as having ASD (Autism Spectre Disorders) and second we explore the use of technology for people who have BDSM-oriented desires (related to Bondage and Discipline (B&D), Dominance and Submission (D&S), and Sadism and Masochism (S&M)). We briefly discuss the added value of practice theory for exploring how people are altered by technè.