Institute for Media & Creative Industries, Loughborough University London, 3 Lesney Avenue, The Broadcast Centre, Here East Queen Elizabeth Olympic Park, London E15 2GZ, UK
Prof. Toby Miller
Institute for Media & Creative Industries, Loughborough University London, 3 Lesney Avenue, The Broadcast Centre, Here East Queen Elizabeth Olympic Park, London E15 2GZ, UK
Sport is the most universal feature of popular culture. It crosses language barriers and slices through national boundaries, attracting both spectators and p
In response to Daniel Mato's essay, this article argues against the concept of the creative industries and for a capacious understanding of culture to redefine the culture industries
9 June 2006 in Substance Abuse Treatment, Prevention, and Policy
Non-medical/illegal use of prescription stimulants popularly have been referred to as "study drugs". This paper discusses the current prevalence and consequences of misuse of these drugs and implications of this information for drug policy. Study drugs are being misused annually by approximately 4% of older teens and emerging adults. Yet, there are numerous consequences of misuse of prescription stimulants including addiction, negative reactions to high dosages, and medical complications. Policy implications include continuing to limit access to study drugs, finding more safe prescription drug alternatives, interdiction, and public education. Much more work is needed on prescription stimulant misuse assessment, identifying the extent of the social and economic costs of misuse, monitoring and reducing access, and developing prevention and cessation education efforts.
Greenwashing Culture examines the complicity of culture with our environmental crisis. Through its own carbon footprint, the promotion of image-friendly environmental credentials for celebrities, and the mutually beneficial engagement with big industry polluters, Toby Miller argues that culture has become an enabler of environmental criminals to win over local, national, and international communities. Topics include: the environmental liabilities involved in digital and print technologies used by cultural institutions and their consumers; Hollywood's 'green celebrities' and the immense ecological impact of their jet-setting lifestyles and filmmaking itself; high profile sponsorship deals between museums and oil and gas companies, such as BP's sponsorship of Tate Britain; radical environmental reform, via citizenship and public policy, illustrated by the actions of Greenpeace against Shell's sponsorship of Lego. This is a thought-provoking introduction to the harmful impact of greenwashing. It is essential reading for students of cultural studies and environmental studies, and those with an interest in environmental activism.
Formula 1 motor sport and the Men's World Cup of association football, two major sporting events on our calendars, are indirectly and directly responsible for environmental despoliation. They serve as advertisements for heavy industry, are designed for elite as much as mass consumption, and provide sponsors with dubious social licenses to operate. This occurs through the very mechanisms of the events themselves (engines in Formula 1, tourism in the World Cup) as well as their promotional externalities. I look at greenwashing claims made about these two sporting events and examine counter-discourses, then investigate economic and ecological citizenship. I suggest that a progressive agenda can be forwarded if Greenpeace, which runs campaigns related to these sports, works with its fellow elites, in the case of Formula 1, and with fans in the case of football. Doing so may be more effective than business-as-usual direct action.
Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.