The article presents research on the evaluation of hidden map metadata. A hidden map is a map being part of a book that illustrates certain facts described in the book (e.g., military campaigns, political processes, migrations). The evaluation regards their completeness. Metadata completeness is the degree to which objects are described using all metadata elements. The analysis took into account the metadata of archival maps accessed via the GeoPortOst geoportal. Over 3000 hidden maps from the period 1572–2018 were analyzed, and the map set was divided into 8 collections. The main purpose of cartographers and librarians is to facilitate understanding of the relationship between individual information (librarians) and spatial data (cartographers). To this end, the research focused on the kind of information about old maps that should be stored in metadata to describe them in terms of space, time, content and context so as to increase their interoperability. The following metadata were taken into account in the assessment: title of content, type of content, date, date range, rights, language, subject, distribution format, geographic location, scale of map, reference system, mapping methods, map format, and source materials used to develop the map. The completeness of individual metadata as well as the completeness of metadata for individual collections was assessed. Finally, good practices of individual collections and metadata that could increase the interoperability of the entire collection were identified. The evaluation enables the owners to show the strengths and weaknesses of a given collection in a quick and easy way.

Research on a specific topic requires the individualized cartographic methods of work that may be defined as the Realm of Maps. The double dimensionality in the Realm of Maps is understood here as a physical place—a studio workroom—and as a research method. In this study, we focused on the way of presenting a research method designed to study the topic of historico-geographical space in the form of a short film story. The second purpose is to indicate the legitimacy of combining two dimensions of working with maps, the real one and the virtual one, to be able to collect cartographic and descriptive sources in one scientific center. Our research on the Story from the Realm of Maps in Regensburg: ‘People Movement in Southeast Europe’ included a concept adopted by cartographical, historical, and geographical sources; the construction of a studio workroom; a script draft; individual sequences of the story in different types of media; editing the video, along with publishing it on an online video-sharing platform. We used as many different types of geomedia as possible, which, on the one hand, boosts the attractiveness of the film and, on the other, may hamper the proper perception of the main film plot. Finally, we recommend principles of map design for the film, with analog maps and maps created specifically for the short film, published using online video-sharing platforms.

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