Arik Kershenbaum

Dr. Arik Kershenbaum


Research Focus & Metrics

Academic Career Length

17Years (2010-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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26 November 2014 in Biological Reviews
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AKArik Kershenbaum
Arik Kershenbaum
DBDaniel Thomas Blumstein
Daniel Thomas Blumstein
MRMarie A. Roch
Marie A. Roch
ÇAÇağlar Akçay
Çağlar Akçay
GBGregory Backus
Gregory Backus
VZVeronica Zamora‐Gutierrez
Veronica Zamora‐Gutierrez

7 October 2014 in Proceedings Of The Royal Society B-Biological Sciences
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AKArik Kershenbaum
Arik Kershenbaum
ABAnn E. Bowles
Ann E. Bowles
Todd FreebergTodd Freeberg
Todd Freeberg
DJDezhe Z. Jin
Dezhe Z. Jin
ALAdriano R. Lameira
Adriano R. Lameira
KBKirsten Bohn
Kirsten Bohn
Many animals produce vocal sequences that appear complex. Most researchers assume that these sequences are well characterized as Markov chains (i.e. that the probability of a particular vocal element can be calculated from the history of only a finite number of preceding elements). However, this assumption has never been explicitly tested. Furthermore, it is unclear how language could evolve in a single step from a Markovian origin, as is frequently assumed, as no intermediate forms have been found between animal communication and human language. Here, we assess whether animal taxa produce vocal sequences that are better described by Markov chains, or by non-Markovian dynamics such as the ‘renewal process’ (RP), characterized by a strong tendency to repeat elements. We examined vocal sequences of seven taxa: Bengalese finchesLonchura striata domestica, Carolina chickadeesPoecile carolinensis, free-tailed batsTadarida brasiliensis, rock hyraxesProcavia capensis, pilot whalesGlobicephala macrorhynchus, killer whalesOrcinus orcaand orangutansPongospp.The vocal systems of most of these species are more consistent with a non-Markovian RP than with the Markovian models traditionally assumed. Our data suggest that non-Markovian vocal sequences may be more common than Markov sequences, which must be taken into account when evaluating alternative hypotheses for the evolution of signalling complexity, and perhaps human language origins.

18 April 2012 in Proceedings Of The Royal Society B-Biological Sciences
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AKArik Kershenbaum
Arik Kershenbaum
AIAmiyaal Ilany
Amiyaal Ilany
LBLeon Blaustein
Leon Blaustein
EGEli Geffen
Eli Geffen
Few mammalian species produce vocalizations that are as richly structured as bird songs, and this greatly restricts the capacity for information transfer. Syntactically complex mammalian vocalizations have been previously studied only in primates, cetaceans and bats. We provide evidence of complex syntactic vocalizations in a small social mammal: the rock hyrax ( Procavia capensis : Hyracoidea). We adopted three algorithms, commonly used in genetic sequence analysis and information theory, to examine the order of syllables in hyrax calls. Syntactic dialects exist, and the syntax of hyrax calls is significantly different between different regions in Israel. Call syntax difference is positively correlated to geographical distance over short distances. No correlation is found over long distances, which may reflect limited dispersal movement. These findings indicate that rich syntactic structure is more common in the vocalizations of mammalian taxa than previously thought and suggest the possibility of vocal production learning in the hyrax.

23 October 2013 in PLOS ONE
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AKArik Kershenbaum
Arik Kershenbaum
LSLaela S Sayigh
Laela S Sayigh
VJVincent M Janik
Vincent M Janik
Bottlenose dolphins (Tursiops truncatus) produce many vocalisations, including whistles that are unique to the individual producing them. Such “signature whistles” play a role in individual recognition and maintaining group integrity. Previous work has shown that humans can successfully group the spectrographic representations of signature whistles according to the individual dolphins that produced them. However, attempts at using mathematical algorithms to perform a similar task have been less successful. A greater understanding of the encoding of identity information in signature whistles is important for assessing similarity of whistles and thus social influences on the development of these learned calls. We re-examined 400 signature whistles from 20 individual dolphins used in a previous study, and tested the performance of new mathematical algorithms. We compared the measure used in the original study (correlation matrix of evenly sampled frequency measurements) to one used in several previous studies (similarity matrix of time-warped whistles), and to a new algorithm based on the Parsons code, used in music retrieval databases. The Parsons code records the direction of frequency change at each time step, and is effective at capturing human perception of music. We analysed similarity matrices from each of these three techniques, as well as a random control, by unsupervised clustering using three separate techniques: k-means clustering, hierarchical clustering, and an adaptive resonance theory neural network. For each of the three clustering techniques, a seven-level Parsons algorithm provided better clustering than the correlation and dynamic time warping algorithms, and was closer to the near-perfect visual categorisations of human judges. Thus, the Parsons code captures much of the individual identity information present in signature whistles, and may prove useful in studies requiring quantification of whistle similarity.

17 October 2024 in Biological Reviews
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AKArik Kershenbaum
Arik Kershenbaum
ÇAÇağlar Akçay
Çağlar Akçay
LBLakshmi Babu‐Saheer
Lakshmi Babu‐Saheer
ABAlex Barnhill
Alex Barnhill
PBPaul Best
Paul Best
JDJacob C. Dunn
Jacob C. Dunn
Recent years have seen a dramatic rise in the use of passive acoustic monitoring (PAM) for biological and ecological applications, and a corresponding increase in the volume of data generated. However, data sets are often becoming so sizable that analysing them manually is increasingly burdensome and unrealistic. Fortunately, we have also seen a corresponding rise in computing power and the capability of machine learning algorithms, which offer the possibility of performing some of the analysis required for PAM automatically. Nonetheless, the field of automatic detection of acoustic events is still in its infancy in biology and ecology. In this review, we examine the trends in bioacoustic PAM applications, and their implications for the burgeoning amount of data that needs to be analysed. We explore the different methods of machine learning and other tools for scanning, analysing, and extracting acoustic events automatically from large volumes of recordings. We then provide a step‐by‐step practical guide for using automatic detection in bioacoustics. One of the biggest challenges for the greater use of automatic detection in bioacoustics is that there is often a gulf in expertise between the biological sciences and the field of machine learning and computer science. Therefore, this review first presents an overview of the requirements for automatic detection in bioacoustics, intended to familiarise those from a computer science background with the needs of the bioacoustics community, followed by an introduction to the key elements of machine learning and artificial intelligence that a biologist needs to understand to incorporate automatic detection into their research. We then provide a practical guide to building an automatic detection pipeline for bioacoustic data, and conclude with a discussion of possible future directions in this field.

18 October 2013 in Bioacoustics
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AKArik Kershenbaum
Arik Kershenbaum
Vocal complexity is an important concept for investigating the role and evolution of animal communication and sociality. However, no one definition of ‘complexity’ appears to be appropriate for all uses. Repertoire size has been used to quantify complexity in many bird and some mammalian studies, but is impractical in cases where vocalizations are highly diverse, and repertoire size is essentially non-limited at realistic sample sizes. Some researchers have used information-theoretic measures such as Shannon entropy, to describe vocal complexity, but these techniques are descriptive only, as they do not address hypotheses of the cognitive mechanisms behind vocal signal generation. In addition, it can be shown that simple measures of entropy, in particular, do not capture syntactic structure. In this work, I demonstrate the use of an alternative information-theoretic measure, the Markov entropy rate, which quantifies the diversity of transitions in a vocal sequence, and thus is capable of distinguishing sequences with syntactic structure from those generated by random, statistically independent processes. I use artificial sequences generated from different stochastic mechanisms, as well as real data from the vocalizations of the rock hyrax Procavia capensis, to show how different complexity metrics scale differently with sample size. I show that entropy rate provides a good measure of complexity for Markov processes and converges faster than repertoire size estimates, such as the Lempel–Ziv metric. The commonly used Shannon entropy performs poorly in quantifying complexity.