ICARO (Innovative Cardboard ARchitectural Object) is a type of innovative building technology developed by a working group at the University of Catania, within the framework of the EWAS (an Early WArning System for cultural heritage) research project. It represents a tool for used to combat climate change thanks to the high level of sustainability of its component. The modular component based on ICARO technology is a pre-fabricated panel for building vertical envelopes, consisting of a laminated wood frame that contains corrugated cardboard boxes. In order to improve the panel’s structural performance, a pre-stress procedure has been adopted. The panel is cost-effective and boasts a high level of sustainability thanks to the use of lightweight, pre-cast, recycled, and recyclable materials. This technology is suitable for the construction of micro-architecture in fragile contexts. In order to test its performance, a full-scale prototype called the EP (Experience Pavilion) was built within the Megara Hyblea archaeological area in Sicily, which was chosen as a test site. A campaign to be carried out at the EP is currently being planned, which will focus on various issues. This paper describes the design of ICARO technology and the construction of the EP prototype.

The many declinations of the idea of sustainability in architecture concern different disciplinary areas as well as all phases of the construction process. Alongside the more established categories of the sustainability of materials used and the technical construction processes and economic investments mobilized, there are now new facets of the idea of sustainability. They affect the impact that architecture can have on communities in terms of social relations and quality of context of life. This work explores the idea of landscape sustainability of architecture, understood as the ability of man-made interventions to belong to the context and the inhabitants, while promoting forms of alliance with the ecosystems at multiple spatial and temporal scale. Starting from the analysis of some trends in contemporary architecture that deals with these problems, the research identifies the volcanic environment as a terrain for exploration, with particular interest in its natural characteristics and dynamic interactions with anthropic contexts. After choosing the region of Macaronesia as a case study, the research focuses on the work of Fernando Menis. As an architect from the Canary Islands, he has developed his own modus operandi which, while rooted in its original context, is inspired by principles of social, cultural, and landscape sustainability of architecture that are valid today everywhere. The objective of this work is therefore to draw a reflection from his architectural poetics, with the intention of outlining the features of a possible contemporary design posture based on principles of landscape sustainability.

In rural and marginal landscapes, the architectural heritage carries an inestimable value. It distinguishes these places from the standardization of contemporary society and it makes them authentic and rooted in the territory. Investigating the real potential of building heritage and understanding what actions should be taken to raise it to the needs of contemporary society is one way to preserve this authenticity. The article presents an innovative multidisciplinary tool, based on GIS methodology, for rapid evaluation of the features of traditional rural architecture. With it, it is possible to carry out a complex analysis, by considering architectural, energy and structural items. It can also guide the design activities in order to optimize the revitalization actions, emphasizing the holistic approach. The potentiality of this procedure will be shown for a test site, namely, the Isle of Filicudi (Aeolian Islands, Sicily, Italy).

The oldest living specimen of Dracaena draco subsp. draco, an endemism of the Canary Island and Madera, whose health had been threatened by the urban development of the neighbouring town of Icod de los Vinos, in the north of Tenerife, at the end of the last century was at the centre of a choral process involving politicians, inhabitants and designers, aimed at restoring, through the design of a park in its surroundings, the thermophilic forest conditions of its original habitat. At a time when attention to environmental issues still constituted a niche research field, the park project aimed to re-establish, in a co-evolutive logic, not only the ecological relations of the tree with its environment, but also the network of myths and legends that link the long-lived Canary Island Dragon specimen to the local population. The study traces and illustrates the reasons of the project through an original photographic apparatus, enriched by drawings and considerations deriving from documentary research supplemented by conversations with the author of the work.

Open space today is increasingly disrupted and altered, heterogeneous and articulated by innumerable folds that generate different patches. However, new developments in ecology show that it is often anthropogenic disturbances that unexpectedly bring forth new ways for living beings to coexist. The story of GiadA (Garden of Social Friendship) that we tell in this article is set in a territory in south-eastern Sicily that has been profoundly disturbed, in which fragments of woodland are intertwined with different forms of agriculture and relics of the Second World War. After having been first built in the Vatican Pavilion Social Friendship: meeting in the garden set up on the island of San Giorgio for the Venice Biennale 2023, thanks to the cooperation between various actors, the garden was ‘transferred’ to the ancient forest of Santo Pietro in Caltagirone, with the intention of creating a threshold between village and forest, a transitional space in which relations between ecosystems and assemblages between worlds are activated and multiplied, transformed into significant events for evolution.