In this paper, an iterative process is used in order to estimate the values of absorption coefficients of those materials of which little is known in the literature, so that an acoustic simulation can be carried out in Mudejar-Gothic churches. The estimation of the scattering coefficients, which is even less developed, is based on the size of the irregularities. This methodology implemented is applied to six Mudejar-Gothic churches of Seville (southern Spain). The simulated monophonic acoustic parameters, both in the frequency domain and as a function of source-receiver distance (spatial distribution), are analyzed and compared with the in situ measures. Good agreement has been found between these sets of values, whereby each parameter is discussed in terms of the just noticeable difference. This procedure for existing buildings, especially for those which are rich in heritage, enables a reliable evaluation of the effect on the maintenance, restoration, and conditioning for new uses, as well as the recreation of the acoustic environment of ancient times. Along these lines, the acoustic influence of the timber roof and the presence of the public in these churches have also been studied.

Extensive objective energy-based parameters have been measured in 12 Mudejar-Gothic churches in the south of Spain. Measurements took place in unoccupied churches according to the ISO-3382 standard. Monoaural objective measures in the $125–4000\mathrm{Hz}$ frequency range and in their spatial distributions were obtained. Acoustic parameters: clarity $C_{80}$ , definition $D_{50}$ , sound strength $G$ and center time $T_S$ have been deduced using impulse response analysis through a maximum length sequence measurement system in each church. These parameters spectrally averaged according to the most extended criteria in auditoria in order to consider acoustic quality were studied as a function of source-receiver distance. The experimental results were compared with predictions given by classical and other existing theoretical models proposed for concert halls and churches. An analytical semi-empirical model based on the measured values of the $C_{80}$ parameter is proposed in this work for these spaces. The good agreement between predicted values and experimental data for definition, sound strength, and center time in the churches analyzed shows that the model can be used for design predictions and other purposes with reasonable accuracy.

This paper describes the preliminary results of research work in acoustics, conducted in a set of 12 Mudejar-Gothic churches in the city of Seville in the south of Spain. Despite common architectural style, the churches feature individual characteristics and have volumes ranging from 3947 to 10 708 m3. Acoustic parameters were measured in unoccupied churches according to the ISO-3382 standard. An extensive experimental study was carried out using impulse response analysis through a maximum length sequence measurement system in each church. It covered aspects such as reverberation (reverberation times, early decay times), distribution of sound levels (sound strength); early to late sound energy parameters derived from the impulse responses (center time, clarity for speech, clarity, definition, lateral energy fraction), and speech intelligibility (rapid speech transmission index), which all take both spectral and spatial distribution into account. Background noise was also measured to obtain the NR indices. The study describes the acoustic field inside each temple and establishes a discussion for each one of the acoustic descriptors mentioned by using the theoretical models available and the principles of architectural acoustics. Analysis of the quality of the spaces for music and speech is carried out according to the most widespread criteria for auditoria.