Acoustical sustainable materials, either natural or made from recycled materials, are quite often a valid alternative to traditional synthetic materials. The production of these materials generally has a lower environmental impact than conventional ones, though a proper analysis of their sustainability, through Life Cycle Assessment procedures, has to be carried out. \ud Airborne sound absorption of natural materials such as flax or of recycled cellulose fibres is similar to the one of rock or glass wool. Many natural materials (bamboo, kenaf, coco fibres) show good sound absorbing performances; cork or recycled rubber layers can be very effective for impact sound insulation. These materials also show good thermal insulation properties, are often light and they are not harmful for human health. Furthermore, many of these materials are currently available on the market at competitive prices\ud There is however a need to complete their characterization, both from an experimental and a theoretical point of view, and especially to propose a standard and unique procedure to evaluate their sustainability.\ud The paper presents an updated survey on the acoustical properties of sustainable materials, both natural and from recycled materials, including mixed and composite materials and systems such as green roofs and green walls, and is completed by a wide selection of recent related bibliography

Prior to this work no structured mechanism existed in the UK to evaluate the tranquillity of open spaces with respect to the characteristics of both acoustic and visual stimuli. This is largely due to the fact that within the context of “tranquil” environments, little is known about the interaction of the audio-visual modalities and how they combine to lead to the perception of tranquillity. This paper presents the findings of a study in which visual and acoustic data, captured from 11 English rural and urban landscapes, were used by 44 volunteers to make subjective assessments of both their perceived tranquillity of a location, and the loudness of five generic soundscape components. The results were then analyzed alongside objective measurements taken in the laboratory. It was found that the maximum sound pressure level (LAmax) and the percentage of natural features present at a location were the key factors influencing tranquillity. Engineering formulas for the tranquillity as a function of the noise level and proportion of the natural features are proposed.

In a world of sensory overload, it is becoming increasingly important to provide environments that enable us to recover our sense of well being. Such restorative (‘tranquil’) environments need to comprise sufficient sensory stimulation to keep us engaged, whilst at the same time providing opportunity for reflection and relaxation. One essential aspect in safeguarding existing, or developing new ‘tranquil space’, is understanding the optimum relationship between the soundscape and the visual composition of a location. This research represents a first step in understanding the effects of audio-visual interaction on the perception of tranquillity and identifies how the interpretation of acoustic information is an integral part of this process. By using uni and bi-modal auditory-visual stimuli in a two stage experimental strategy, it has been possible to measure the key components of the tranquillity construct. The findings of this work should be of particular interest to those charged with landscape management, such as National Park Authorities, Regional Councils, and other agencies concerned with providing and maintaining public amenity.

The plane wave normal incidence acoustic absorption coefficient of five types of low growing plants is measured in the presence and absence of soil. These plants are generally used in green living walls and flower beds. Two types of soil are considered in this work: a light-density, man-made soil and a heavy-density natural clay base soil. The absorption coefficient data are obtained in the frequency range of 50–1600 Hz using a standard impedance tube of diameter 100 mm. The equivalent fluid model for sound propagation in rigid frame porous media proposed by Miki [J. Acoust. Soc. Jpn. (E) 11, 25–28 (1990)] is used to predict the experimentally observed behavior of the absorption coefficient spectra of soils, plants, and their combinations. Optimization analysis is employed to deduce the effective flow resistivity and tortuosity of plants which are assumed to behave acoustically as an equivalent fluid in a rigid frame porous medium. It is shown that the leaf area density and dominant angle of leaf orientation are two key morphological characteristics which can be used to predict accurately the effective flow resistivity and tortuosity of plants.