Since Darwin’s seminal works, the universality of facial expressions of emotion has remained one of the longest standing debates in the biological and social sciences. Briefly stated, the universality hypothesis claims that all humans communicate six basic internal emotional states (happy, surprise, fear, disgust, anger, and sad) using the same facial movements by virtue of their biological and evolutionary origins [Susskind JM, et al. (2008) Nat Neurosci 11:843–850]. Here, we refute this assumed universality. Using a unique computer graphics platform that combines generative grammars [Chomsky N (1965) MIT Press, Cambridge, MA] with visual perception, we accessed the mind’s eye of 30 Western and Eastern culture individuals and reconstructed their mental representations of the six basic facial expressions of emotion. Cross-cultural comparisons of the mental representations challenge universality on two separate counts. First, whereas Westerners represent each of the six basic emotions with a distinct set of facial movements common to the group, Easterners do not. Second, Easterners represent emotional intensity with distinctive dynamic eye activity. By refuting the long-standing universality hypothesis, our data highlight the powerful influence of culture on shaping basic behaviors once considered biologically hardwired. Consequently, our data open a unique nature–nurture debate across broad fields from evolutionary psychology and social neuroscience to social networking via digital avatars.

Underwater exploration has become an active research area over the past few decades. The image enhancement is one of the challenges for those computer vision based underwater researches because of the degradation of the images in the underwater environment. The scattering and absorption are the main causes in the underwater environment to make the images decrease their visibility, for example, blurry, low contrast, and reducing visual ranges. To tackle aforementioned problems, this paper presents a novel method for underwater image enhancement inspired by the Retinex framework, which simulates the human visual system. The term Retinex is created by the combinations of Retina and Cortex. The proposed method, namely LAB-MSR, is achieved by modifying the original Retinex algorithm. It utilizes the combination of the bilateral filter and trilateral filter on the three channels of the image in CIELAB color space according to the characteristics of each channel. With real world data, experiments are carried out to demonstrate both the degradation characteristics of the underwater images in different turbidities, and the competitive performance of the proposed method.