Sebastien Santurette

Dr. Sebastien Santurette

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Research Focus & Metrics

Academic Career Length

20Years (2007-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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18 April 2011 in Proceedings of the National Academy of Sciences
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Journal Article
Closed access
AOAndrew J. Oxenham
Andrew J. Oxenham
CMChristophe Micheyl
Christophe Micheyl
MKMichael V. Keebler
Michael V. Keebler
ALAdam Loper
Adam Loper
SSSebastien Santurette
Sebastien Santurette
Humans’ ability to recognize musical melodies is generally limited to pure-tone frequencies below 4 or 5 kHz. This limit coincides with the highest notes on modern musical instruments and is widely believed to reflect the upper limit of precise stimulus-driven spike timing in the auditory nerve. We tested the upper limits of pitch and melody perception in humans using pure and harmonic complex tones, such as those produced by the human voice and musical instruments, in melody recognition and pitch-matching tasks. We found that robust pitch perception can be elicited by harmonic complex tones with fundamental frequencies below 2 kHz, even when all of the individual harmonics are above 6 kHz—well above the currently accepted existence region of pitch and above the currently accepted limits of neural phase locking. The results suggest that the perception of musical pitch at high frequencies is not constrained by temporal phase locking in the auditory nerve but may instead stem from higher-level constraints shaped by prior exposure to harmonic sounds.

4 December 2015 in Journal of the Association for Research in Otolaryngology
Verified
Journal Article
Open access
PDF file
FBFederica Bianchi
Federica Bianchi
SSSebastien Santurette
Sebastien Santurette
DWDorothea Wendt
Dorothea Wendt
TDTorsten Dau
Torsten Dau
Musicians typically show enhanced pitch discrimination abilities compared to non-musicians. The present study investigated this perceptual enhancement behaviorally and objectively for resolved and unresolved complex tones to clarify whether the enhanced performance in musicians can be ascribed to increased peripheral frequency selectivity and/or to a different processing effort in performing the task. In a first experiment, pitch discrimination thresholds were obtained for harmonic complex tones with fundamental frequencies (F0s) between 100 and 500 Hz, filtered in either a low- or a high-frequency region, leading to variations in the resolvability of audible harmonics. The results showed that pitch discrimination performance in musicians was enhanced for resolved and unresolved complexes to a similar extent. Additionally, the harmonics became resolved at a similar F0 in musicians and non-musicians, suggesting similar peripheral frequency selectivity in the two groups of listeners. In a follow-up experiment, listeners’ pupil dilations were measured as an indicator of the required effort in performing the same pitch discrimination task for conditions of varying resolvability and task difficulty. Pupillometry responses indicated a lower processing effort in the musicians versus the non-musicians, although the processing demand imposed by the pitch discrimination task was individually adjusted according to the behavioral thresholds. Overall, these findings indicate that the enhanced pitch discrimination abilities in musicians are unlikely to be related to higher peripheral frequency selectivity and may suggest an enhanced pitch representation at more central stages of the auditory system in musically trained listeners.

1 December 2017 in NeuroImage
Verified
Journal Article
Open access
FBFederica Bianchi
Federica Bianchi
JHJens Hjortkjær
Jens Hjortkjær
SSSebastien Santurette
Sebastien Santurette
RZRobert J. Zatorre
Robert J. Zatorre
HSHartwig R. Siebner
Hartwig R. Siebner
TDTorsten Dau
Torsten Dau
Musicians are highly trained to discriminate fine pitch changes but the neural bases of this ability are poorly understood. It is unclear whether such training-dependent differences in pitch processing arise already in the subcortical auditory system or are linked to more central stages. To address this question, we combined psychoacoustic testing with functional MRI to measure cortical and subcortical responses in musicians and non-musicians during a pitch-discrimination task. First, we estimated behavioral pitch-discrimination thresholds for complex tones with harmonic components that were either resolved or unresolved in the auditory system. Musicians outperformed non-musicians, showing lower pitch-discrimination thresholds in both conditions. The same participants underwent task-related functional MRI, while they performed a similar pitch-discrimination task. To account for the between-group differences in pitch-discrimination, task difficulty was adjusted to each individual's pitch-discrimination ability. Relative to non-musicians, musicians showed increased neural responses to complex tones with either resolved or unresolved harmonics especially in right-hemispheric areas, comprising the right superior temporal gyrus, Heschl's gyrus, insular cortex, inferior frontal gyrus, and in the inferior colliculus. Both subcortical and cortical neural responses predicted the individual pitch-discrimination performance. However, functional activity in the inferior colliculus correlated with differences in pitch discrimination across all participants, but not within the musicians group alone. Only neural activity in the right auditory cortex scaled with the fine pitch-discrimination thresholds within the musicians. These findings suggest two levels of neuroplasticity in musicians, whereby training-dependent changes in pitch processing arise at the collicular level and are preserved and further enhanced in the right auditory cortex.

1 August 2015 in The Journal of the Acoustical Society of America
Verified
Journal Article
Closed access
JCJasmina Catic
Jasmina Catic
SSSebastien Santurette
Sebastien Santurette
TDTorsten Dau
Torsten Dau
The perception of externalization of speech sounds was investigated with respect to the monaural and binaural cues available at the listeners' ears in a reverberant environment. Individualized binaural room impulse responses (BRIRs) were used to simulate externalized sound sources via headphones. The measured BRIRs were subsequently modified such that the proportion of the response containing binaural vs monaural information was varied. Normal-hearing listeners were presented with speech sounds convolved with such modified BRIRs. Monaural reverberation cues were found to be sufficient for the externalization of a lateral sound source. In contrast, for a frontal source, an increased amount of binaural cues from reflections was required in order to obtain well externalized sound images. It was demonstrated that the interaction between the interaural cues of the direct sound and the reverberation strongly affects the perception of externalization. An analysis of the short-term binaural cues showed that the amount of fluctuations of the binaural cues corresponded well to the externalization ratings obtained in the listening tests. The results further suggested that the precedence effect is involved in the auditory processing of the dynamic binaural cues that are utilized for externalization perception.

26 March 2021 in Frontiers in Neuroscience
Verified
Journal Article
Open access
PDF file
EAEmina Alickovic
Emina Alickovic
ENElaine Ng
Elaine Ng
LFLorenz Fiedler
Lorenz Fiedler
SSSebastien Santurette
Sebastien Santurette
HIHamish Innes-Brown
Hamish Innes-Brown
CGCarina Graversen
Carina Graversen
Objectives: Previous research using non-invasive (magnetoencephalography, MEG) and invasive (electrocorticography, ECoG) neural recordings has demonstrated the progressive and hierarchical representation and processing of complex multi-talker auditory scenes in the auditory cortex. Early responses (85 ms) in higher-order non-primary areas selectively represent the attended talker with significantly higher fidelity than unattended talkers in NH and hearing–impaired (HI) listeners. Motivated by these findings, the objective of this study was to investigate the effect of a noise reduction scheme (NR) in a commercial hearing aid (HA) on the representation of complex multi-talker auditory scenes in distinct hierarchical stages of the auditory cortex by using high-density electroencephalography (EEG).Design: We addressed this issue by investigating early (85 ms) EEG responses recorded in 34 HI subjects fitted with HAs. The HA noise reduction (NR) was either on or off while the participants listened to a complex auditory scene. Participants were instructed to attend to one of two simultaneous talkers in the foreground while multi-talker babble noise played in the background (+3 dB SNR). After each trial, a two-choice question about the content of the attended speech was presented.Results: Using a stimulus reconstruction approach, our results suggest that the attention-related enhancement of neural representations of target and masker talkers located in the foreground, as well as suppression of the background noise in distinct hierarchical stages is significantly affected by the NR scheme. We found that the NR scheme contributed to the enhancement of the foreground and of the entire acoustic scene in the early responses, and that this enhancement was driven by better representation of the target speech. We found that the target talker in HI listeners was selectively represented in late responses. We found that use of the NR scheme resulted in enhanced representations of the target and masker speech in the foreground and a suppressed representation of the noise in the background in late responses. We found a significant effect of EEG time window on the strengths of the cortical representation of the target and masker.Conclusion: Together, our analyses of the early and late responses obtained from HI listeners support the existing view of hierarchical processing in the auditory cortex. Our findings demonstrate the benefits of a NR scheme on the representation of complex multi-talker auditory scenes in different areas of the auditory cortex in HI listeners.

1 January 2020 in Trends in Hearing
Verified
Journal Article
Open access
PDF file
Raul Sanchez-LopezRaul Sanchez-Lopez
Raul Sanchez-Lopez
MFMichal Fereczkowski
Michal Fereczkowski
Tobias NeherTobias Neher
Tobias Neher
SSSebastien Santurette
Sebastien Santurette
TDTorsten Dau
Torsten Dau
The sources and consequences of a sensorineural hearing loss are diverse. While several approaches have aimed at disentangling the physiological and perceptual consequences of different etiologies, hearing deficit characterization and rehabilitation have been dominated by the results from pure-tone audiometry. Here, we present a novel approach based on data-driven profiling of perceptual auditory deficits that attempts to represent auditory phenomena that are usually hidden by, or entangled with, audibility loss. We hypothesize that the hearing deficits of a given listener, both at hearing threshold and at suprathreshold sound levels, result from two independent types of “auditory distortions.” In this two-dimensional space, four distinct “auditory profiles” can be identified. To test this hypothesis, we gathered a data set consisting of a heterogeneous group of listeners that were evaluated using measures of speech intelligibility, loudness perception, binaural processing abilities, and spectrotemporal resolution. The subsequent analysis revealed that distortion type-I was associated with elevated hearing thresholds at high frequencies and reduced temporal masking release and was significantly correlated with elevated speech reception thresholds in noise. Distortion type-II was associated with low-frequency hearing loss and abnormally steep loudness functions. The auditory profiles represent four robust subpopulations of hearing-impaired listeners that exhibit different degrees of perceptual distortions. The four auditory profiles may provide a valuable basis for improved hearing rehabilitation, for example, through profile-based hearing-aid fitting.