Design and optimization of a radial turbine for a Rankine cycle were accomplished ensuring higher thermal efficiency of the system despite the low turbine inlet temperature. A turbine design code (TDC) based on the meanline design methodology was developed to construct the base design of the turbine rotor. Best design practices for the base design were discussed and adopted to initiate a robust optimization procedure. The baseline design was optimized using the response surface methodology and by coupling it with the genetic algorithm. The design variables considered for the study are rotational speed, total to static speed ratio, hub radius ratio, shroud radius ration, and number of blades. Various designs of the turbine were constructed based on the Central Composite Design (CCD) while performance variables were computed using the in-house turbine design code (TDC) in the MATLAB environment. The TDC can access the properties of the working fluid through a subroutine that links NIST’s REFPROP to the design code through a subroutine. The finalization of the geometry was made through an iterative process between 3D-Reynolds-Averaged Navier-Stokes (RANS) simulations and the one-dimensional optimization procedure. 3D RANS simulations were also conducted to analyze the optimized geometry of the turbine rotor for off-design conditions. For computational fluid dynamics (CFD) simulation, a commercial code ANSYS-CFX was employed. 3D geometry was constructed using ASYS Bladegen while structured mesh was generated using ANSYS Turbogrid. Fluid properties were supplied to the CFD solver through a real gas property (RGP) file that was constructed in MATLAB by linking it to REFPROP. Computed results show that an initial good design can reduce the time and computational efforts necessary to reach an optimal design successfully. Furthermore, it can be inferred from the CFD calculation that Response Surface Methodology (RSM) employing CFD as a model evaluation tool can be highly effective for the design and optimization of turbomachinery.
Sirompak is a traditional Minangkabau art originating from Taeh Baruah, Limapuluh Kota, West Sumatra. In the past, Sirompak was known as a magical ritual ceremony carried out by a sirompak handler whose aim was to avenge the heart of a woman who had insulted a man. The basirompak performance is a presentation of vocal music called dendang Minangkabau presentation of singing vocal music with the production of a wind instrument called saluang sirompak. This musical instrument is included in the classification of aerophone musical instruments (the main sound is produced by the vibration of blowing air). Traditional musical instruments accompany melodic vocals (dendang/mantras) by a singer (singer). The composition work "manyampai" consists of two parts, using a traditional reinterpretation approach, in the first part of this work using the 'emergent' technique, in the first part the composer provides several repetitive vocal compositions, using the instruments saluang Sirompak, kerinding, cymbals, didgeredo, gong, rain stick. The second part of this work emphasizes the production of several screaming vocals, screams, laughing vocals, animal sounds and crying. This second part also uses the instruments cymbals, gongs, Sirompak saluang
About Me
Teacher at industrial Institute - kuwait
Graduated from State University of New York mechanical engineer.
Teacher at industrial Institute - kuwait
Graduated from State University of New York mechanical engineer.