Tatiana Gabruseva

Dr. Tatiana Gabruseva


Research Focus & Metrics

Academic Career Length

5Years (2022-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

View All Publications
1 February 2022 in Computers in Biology and Medicine
Verified
Journal Article
Closed access
RSRoman Solovyev
Roman Solovyev
Alexandr KalininAlexandr Kalinin
Alexandr Kalinin
TGTatiana Gabruseva
Tatiana Gabruseva

18 April 2024 in Transactions of the International Society for Music Information Retrieval
Verified
Journal Article
Open access
PDF file
GFGiorgio Fabbro
Giorgio Fabbro
SUStefan Uhlich
Stefan Uhlich
CLChieh-Hsin Lai
Chieh-Hsin Lai
WCWoosung Choi
Woosung Choi
MMMarco Martínez-Ramírez
Marco Martínez-Ramírez
YMYuki Mitsufuji
Yuki Mitsufuji
This paper summarizes the music demixing (MDX) track of the Sound Demixing Challenge (SDX’23). We provide a summary of the challenge setup and introduce the task of robust music source separation (MSS), i.e., training MSS models in the presence of errors in the training data. We propose a formalization of the errors that can occur in the design of a training dataset for MSS systems and introduce two new datasets that simulate such errors: SDXDB23_LabelNoise and SDXDB23_Bleeding.1 We describe the methods that achieved the highest scores in the competition. Moreover, we present a direct comparison with the previous edition of the challenge (the Music Demixing Challenge 2021): the best performing system achieved an improvement of over 1.6dB in signal-to-distortion ratio over the winner of the previous competition, when evaluated on MDXDB21. Besides relying on the signal-to-distortion ratio as objective metric, we also performed a listening test with renowned producers and musicians to study the perceptual quality of the systems and report here the results. Finally, we provide our insights into the organization of the competition and our prospects for future editions.

17 April 2024 in Transactions of the International Society for Music Information Retrieval
Verified
Journal Article
Open access
PDF file
SUStefan Uhlich
Stefan Uhlich
GFGiorgio Fabbro
Giorgio Fabbro
MHMasato Hirano
Masato Hirano
STShusuke Takahashi
Shusuke Takahashi
GWGordon Wichern
Gordon Wichern
YMYuki Mitsufuji
Yuki Mitsufuji
This paper summarizes the cinematic demixing (CDX) track of the Sound Demixing Challenge 2023 (SDX’23). We provide a comprehensive summary of the challenge setup, detailing the structure of the competition and the datasets used. Especially, we detail CDXDB23, a new hidden dataset constructed from real movies that was used to rank the submissions. The paper also offers insights into the most successful approaches employed by participants. Compared to the cocktail-fork baseline, the best-performing system trained exclusively on the simulated Divide and Remaster (DnR) dataset achieved an improvement of 1.8 dB in SDR, whereas the top-performing system on the open leaderboard, where any data could be used for training, saw a significant improvement of 5.7 dB. A major source of this improvement was making the simulated data better match real cinematic audio, which we further investigate in detail.