This paper proposes a method for extracting the fingering configurations automatically from a recorded guitar performance. 330 different fingering configurations are considered, corresponding to different versions of the major, minor, major 7th, and minor 7th chords played on the guitar fretboard. The method is formulated as a hidden Markov model, where the hidden states correspond to the different fingering configurations and the observed acoustic features are obtained from a multiple fundamental frequency estimator that measures the salience of a range of candidate note pitches within individual time frames. Transitions between consecutive fingerings are constrained by a musical model trained on a database of chord sequences, and a heuristic cost function that measures the physical difficulty of moving from one configuration of finger positions to another. The method was evaluated on recordings from the acoustic, electric, and the Spanish guitar and clearly outperformed a non-guitar-specific reference chord transcription method despite the fact that the number of chords considered here is significantly larger.

In this paper, a system for the extraction of the tablature of guitar musical pieces using only the audio waveform is presented. The analysis of the inharmonicity relations between the fundamentals and the partials of the notes played is the main process that allows to estimate both the notes played and the string/fret combination that was used to produce that sound. A procedure to analyze chords will also be described. This procedure will also make use of the inharmonicity analysis to find the simultaneous string/fret combinations used to play each chord. The proposed method is suitable for any guitar type: classical, acoustic and electric guitars. The system performance has been evaluated on a series of guitar samples from the RWC instruments database and our own recordings.

In this paper, we present a method for monophonic singing transcription based on hysteresis defined on the pitch-time curve. This method is designed to perform note segmentation even when the pitch evolution during the same note behaves unstably, as in the case of untrained singers. The selected approach estimates the regions in which the chroma is stable, these regions are classified as voiced or unvoiced according to a decision tree classifier using two descriptors based on aperiodicity and power. Then, a note segmentation stage based on pitch intervals of the sung signal is carried out. To this end, a dynamic averaging of the pitch curve is performed after the beginning of a note is detected in order to roughly estimate the pitch. Deviations of the actual pitch curve with respect to this average are measured to determine the next note change according to a hysteresis process defined on the pitch-time curve. Finally, each note is labeled using three single values: rounded pitch (to semitones), duration and volume. Also, a complete evaluation methodology that includes the definition of different relevant types of errors, measures and a method for the computation of the evaluation measures are presented. The proposed system improves significantly the performance of the baseline approach, and attains results similar to previous approaches.