One of the principal problems in image forensics is determining if a particular image is authentic or not. This can be a crucial task when images are used as basic evidence to influence judgment like, for example, in a court of law. To carry out such forensic analysis, various technological instruments have been developed in the literature. In this paper, the problem of detecting if an image has been forged is investigated; in particular, attention has been paid to the case in which an area of an image is copied and then pasted onto another zone to create a duplication or to cancel something that was awkward. Generally, to adapt the image patch to the new context a geometric transformation is needed. To detect such modifications, a novel methodology based on scale invariant features transform (SIFT) is proposed. Such a method allows us to both understand if a copy-move attack has occurred and, furthermore, to recover the geometric transformation used to perform cloning. Extensive experimental results are presented to confirm that the technique is able to precisely individuate the altered area and, in addition, to estimate the geometric transformation parameters with high reliability. The method also deals with multiple cloning.

Recent advances in visual media technology have led to new tools for processing and, above all, generating multimedia contents. In particular, modern AI-based technologies have provided easy-to-use tools to create extremely realistic manipulated videos. Such synthetic videos, named Deep Fakes, may constitute a serious threat to attack the reputation of public subjects or to address the general opinion on a certain event. According to this, being able to individuate this kind of fake information becomes fundamental. In this work, a new forensic technique able to discern between fake and original video sequences is given; unlike other state-of-the-art methods which resorts at single video frames, we propose the adoption of optical flow fields to exploit possible inter-frame dissimilarities. Such a clue is then used as feature to be learned by CNN classifiers. Preliminary results obtained on FaceForensics++ dataset highlight very promising performances.

The rise of AI-generated synthetic media, or deepfakes, has introduced unprecedented opportunities and challenges across various fields, including entertainment, cybersecurity, and digital communication. Using advanced frameworks such as Generative Adversarial Networks (GANs) and Diffusion Models (DMs), deepfakes are capable of producing highly realistic yet fabricated content, while these advancements enable creative and innovative applications, they also pose severe ethical, social, and security risks due to their potential misuse. The proliferation of deepfakes has triggered phenomena like “Impostor Bias”, a growing skepticism toward the authenticity of multimedia content, further complicating trust in digital interactions. This paper is mainly based on the description of a research project called FF4ALL (FF4ALL-Detection of Deep Fake Media and Life-Long Media Authentication) for the detection and authentication of deepfakes, focusing on areas such as forensic attribution, passive and active authentication, and detection in real-world scenarios. By exploring both the strengths and limitations of current methodologies, we highlight critical research gaps and propose directions for future advancements to ensure media integrity and trustworthiness in an era increasingly dominated by synthetic media.

An overview of reversible watermarking techniques appeared in literature during the last five years approximately is presented in this paper. In addition to this a general classification of algorithms on the basis of their characteristics and of the embedding domain is given in order to provide a structured presentation simply accessible for an interested reader. Algorithms are set in a category and discussed trying to supply the main information regarding embedding and decoding procedures. Basic considerations on achieved results are made as well.