Susanne Fuchs

Dr. Susanne Fuchs

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Research Focus & Metrics

Academic Career Length

30Years (1997-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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15 November 2021 in Philosophical Transactions of the Royal Society B: Biological Sciences
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Journal Article
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AĆAleksandra Ćwiek
Aleksandra Ćwiek
SFSusanne Fuchs
Susanne Fuchs
CDChristoph Draxler
Christoph Draxler
EAEva Liina Asu
Eva Liina Asu
DDDan Dediu
Dan Dediu
BWBodo Winter
Bodo Winter
The bouba/kiki effect—the association of the nonce word bouba with a round shape and kiki with a spiky shape—is a type of correspondence between speech sounds and visual properties with potentially deep implications for the evolution of spoken language. However, there is debate over the robustness of the effect across cultures and the influence of orthography. We report an online experiment that tested the bouba/kiki effect across speakers of 25 languages representing nine language families and 10 writing systems. Overall, we found strong evidence for the effect across languages, with bouba eliciting more congruent responses than kiki. Participants who spoke languages with Roman scripts were only marginally more likely to show the effect, and analysis of the orthographic shape of the words in different scripts showed that the effect was no stronger for scripts that use rounder forms for bouba and spikier forms for kiki. These results confirm that the bouba/kiki phenomenon is rooted in crossmodal correspondence between aspects of the voice and visual shape, largely independent of orthography. They provide the strongest demonstration to date that the bouba/kiki effect is robust across cultures and writing systems. This article is part of the theme issue ‘Voice modulation: from origin and mechanism to social impact (Part II)’.

1 June 2009 in The Journal of the Acoustical Society of America
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Journal Article
Closed access
JBJana Brunner
Jana Brunner
SFSusanne Fuchs
Susanne Fuchs
PPPascal Perrier
Pascal Perrier
In this study the acoustic and articulatory variabilities of speakers with different palate shapes were compared. Since the cross-sectional area of the vocal tract changes less for a slight change in tongue position if the palate is domeshaped than if it is flat, the acoustic variability should be greater for flat palates than for domeshaped ones. Consequently, it can be hypothesized that speakers with flat palates should reduce their articulatory variability in order to keep the acoustic output constant. This hypothesis was tested on 32 speakers recorded via electropalatography (EPG) and acoustics. The articulatory and acoustic variability of some of their vowels and /j/ was measured. Indeed, the results show that the speakers with flat palates reduce their variability in tongue height. There is no such trend in acoustic variability.

19 December 2014 in Philosophical Transactions of the Royal Society B: Biological Sciences
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Journal Article
Closed access
ARAmélie Rochet-Capellan
Amélie Rochet-Capellan
SFSusanne Fuchs
Susanne Fuchs
Physiological rhythms are sensitive to social interactions and could contribute to defining social rhythms. Nevertheless, our knowledge of the implications of breathing in conversational turn exchanges remains limited. In this paper, we addressed the idea that breathing may contribute to timing and coordination between dialogue partners. The relationships between turns and breathing were analysed in unconstrained face-to-face conversations involving female speakers. No overall relationship between breathing and turn-taking rates was observed, as breathing rate was specific to the subjects' activity in dialogue (listening versus taking the turn versus holding the turn). A general inter-personal coordination of breathing over the whole conversation was not evident. However, specific coordinative patterns were observed in shorter time-windows when participants engaged in taking turns. The type of turn-taking had an effect on the respective coordination in breathing. Most of the smooth and interrupted turns were taken just after an inhalation, with specific profiles of alignment to partner breathing. Unsuccessful attempts to take the turn were initiated late in the exhalation phase and with no clear inter-personal coordination. Finally, breathing profiles at turn-taking were different than those at turn-holding. The results support the idea that breathing is actively involved in turn-taking and turn-holding.

5 June 2020 in Nature Communications
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Journal Article
Open access
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MFMareike Floegel
Mareike Floegel
SFSusanne Fuchs
Susanne Fuchs
CKChristian A. Kell
Christian A. Kell
Proper speech production requires auditory speech feedback control. Models of speech production associate this function with the right cerebral hemisphere while the left hemisphere is proposed to host speech motor programs. However, previous studies have investigated only spectral perturbations of the auditory speech feedback. Since auditory perception is known to be lateralized, with right-lateralized analysis of spectral features and left-lateralized processing of temporal features, it is unclear whether the observed right-lateralization of auditory speech feedback processing reflects a preference for speech feedback control or for spectral processing in general. Here we use a behavioral speech adaptation experiment with dichotically presented altered auditory feedback and an analogous fMRI experiment with binaurally presented altered feedback to confirm a right hemisphere preference for spectral feedback control and to reveal a left hemisphere preference for temporal feedback control during speaking. These results indicate that auditory feedback control involves both hemispheres with differential contributions along the spectro-temporal axis.

1 January 2013 in Journal of Phonetics
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Journal Article
Closed access
SFSusanne Fuchs
Susanne Fuchs
CPCaterina Petrone
Caterina Petrone
JKJelena Krivokapić
Jelena Krivokapić
PHPhilip Hoole
Philip Hoole

27 August 2022 in Neuroscience & Biobehavioral Reviews
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Journal Article
Open access
WPWim Pouw
Wim Pouw
SFSusanne Fuchs
Susanne Fuchs
Gestures during speaking are typically understood in a representational framework: they represent absent or distal states of affairs by means of pointing, resemblance, or symbolic replacement. However, humans also gesture along with the rhythm of speaking, which is amenable to a non-representational perspective. Such a perspective centers on the phenomenon of vocal-entangled gestures and builds on evidence showing that when an upper limb with a certain mass decelerates/accelerates sufficiently, it yields impulses on the body that cascade in various ways into the respiratory-vocal system. It entails a physical entanglement between body motions, respiration, and vocal activities. It is shown that vocal-entangled gestures are realized in infant vocal-motor babbling before any representational use of gesture develops. Similarly, an overview is given of vocal-entangled processes in non-human animals. They can frequently be found in rats, bats, birds, and a range of other species that developed even earlier in the phylogenetic tree. Thus, the origins of human gesture lie in biomechanics, emerging early in ontogeny and running deep in phylogeny.