A simple photolysis route was proposed to prepare Amphiphilic Janus Particles (AJP) based on SiO₂ microspheres. The surface of SiO₂ microspheres were modified by photoactive alkoxysilane, which was synthesized by dealcoholization condensation of 6-nitroveratroyloxycarbonyl and isocyanatopropyl-triethoxysilane. UV irradiation caused eater-breaking allowed for the precise control of hydrophilic modification of the hemispherical exposed particles surfaces. The component and morphology of the obtained particles were characterized by fourier transform infrared spectroscopy and ultraviolet-visible spectroscopy, and the Janus feature was evaluated by scanning electron microscopy, transmission electron microscopy, and dispersity in the oil–water dual-phases. The following results were obtained. The AJP with 450 nm size processes the hydrophilic amino groups on one side and the hydrophobic 6-nitroveratryloxycarbonyl moieties on the other. Additionally, the AJP were located at the phase boundary between water and n-hexane, and the negative charged gold nanoparticles with 25 nm size were adsorbed only onto the side with the positive charged amino groups. The AJP have interfacial adsorption energies that can be as much as three times larger than that of homogeneous particles and thus exhibit excellent surface activities.

In the ancient Chinese recipe for composite mortar used in the construction of ground layers for architectural painting, the mixture of porcine blood and lime water is one of the constituent materials. Herein, according to the traditional recipe, the interaction between porcine blood and lime water was systematically and deeply investigated. The experimental investigation demonstrated that porcine blood mixed with lime water at the ratio found in the recipe can form a hydrogel with a hydrophobic surface. During air-drying, the lime water in porcine blood hydrogel can react with CO2 to form calcium carbonate. The crystal morphology of the formed calcium carbonate depends on the surrounding micro-environment of calcium ions in the porcine blood hydrogel. The formed morphology of calcium carbonate includes small calcite crystallites, small graininess calcite crystals with round features, calcite aggregates with layered ladder-like structures, and amorphous calcium carbonate (ACC). Interestingly, the calcium carbonate formed in the inner part of the porcine blood hydrogel exhibits lamellar distribution due to a Liesegang pattern formation. Based on the findings that the porcine blood hydrogel has surface hydrophobicity and brittleness, it can be predicted that in the preparation process of composite mortar for ancient building color painting base course, porcine blood used in the form of a hydrogel is not only easier to be dispersed in hydrophobic tung oil than in liquid porcine blood but also the affinity between porcine blood gel and tung oil is enhanced. As constituent material dispersed in the composite mortar, the layered distribution of calcium carbonate in the porcine blood hydrogel may presumably be beneficial to reduce the internal stress of the composite mortar material.

The fading of painted relics is a widespread deterioration phenomenon in ancient painted cultural relics, yet its underlying mechanism has long been attributed solely to pigment oxidation. Directed at colored drawings with complex surface microstructures, such as pottery paintings, wall murals and architectural paintings, here we challenge this view by demonstrating that light scattering induced by sub-micron pores within the paint layer plays a dominant role, especially Mie scattering when pore sizes approach visible light wavelengths (400–700 nm). In order to minimize the damage to the genuine painted relics, a large number of simulated experiments were conducted first. Using porous polyacrylamide (PAM) membranes and nylon 6 filter membranes as model systems, we show that pore-induced scattering reduces the optical path length for light absorption, leading to a significant decrease in color saturation and brightness. By filling the pores with non-volatile colorless ionic liquids ([BMIM]PF₆) (n = 1.41) or glycerol (n = 1.47)—both possessing refractive indices close to those of the pigments—the scattering is effectively suppressed, and the original color is restored. The filling treatment reduces the color difference (ΔE*ab) by 30%–50% and the surface reflectivity by 20%–40%. Mercury intrusion porosimetry and fluorescence spectroscopy confirm that pore elimination and optical path lengthening are responsible for the color recovery. The proposed mechanism and restoration strategy were successfully validated on authentic painted brick fragments from the Western Qing Tombs (Hebei, China), where severely faded green and red patterns reappeared after ionic liquid treatment. This study provides a new interface-regulation paradigm for the conservation of painted cultural heritage, shifting the focus from irreversible chemical remediation to reversible physical restoration and offers a generalizable platform for controlling light scattering in porous optical materials.