Images/videos captured from optical devices are usually degraded by turbid media such as haze, smoke, fog, rain and snow. Haze is the most common problem in outdoor scenes because of the atmosphere conditions. This paper proposes a novel single image-based dehazing framework to remove haze artifacts from images, where we propose two novel image priors, called the pixel-based dark channel prior and the pixel-based bright channel prior. Based on the two priors with the haze optical model, we propose to estimate atmospheric light via haze density analysis. We can then estimate transmission map, followed by refining it via the bilateral filter. As a result, high-quality haze-free images can be recovered with lower computational complexity compared with the state-of-the-art approach based on patch-based dark channel prior.
23 November 2020 in Journal of Visual Communication and Image Representation
Unsupervised video object segmentation is a crucial application in video analysis without knowing any prior information about the objects. It becomes tremendously challenging when multiple objects occur and interact in a given video clip. In this paper, a novel unsupervised video object segmentation approach via distractor-aware online adaptation (DOA) is proposed. DOA models spatial-temporal consistency in video sequences by capturing background dependencies from adjacent frames. Instance proposals are generated by the instance segmentation network for each frame and then selected by motion information as hard negatives if they exist and positives. To adopt high-quality hard negatives, the block matching algorithm is then applied to preceding frames to track the associated hard negatives. General negatives are also introduced in case that there are no hard negatives in the sequence and experiments demonstrate both kinds of negatives (distractors) are complementary. Finally, we conduct DOA using the positive, negative, and hard negative masks to update the foreground/background segmentation. The proposed approach achieves state-of-the-art results on two benchmark datasets, DAVIS 2016 and FBMS-59 datasets.