To promote a resilient user-product relationship for sustainable fashion, design methods for emotional durability are required. Digitally transformable fashion design can be seen as a practical approach that enables dynamic, sensory, experiential, and emotional interaction. Literature shows that features of transformable fashion and textiles, such as versatility, perceived quality, biomorphic forms, and aesthetics, can induce emotional durability in users. However, mainstream works are conducted from function-oriented and technology-led perspectives, neglecting the significance of fashion design as a creative and affective role. To fill the gap, we present exhaustive accounts of two autobiographical design projects as case studies: Pneum-Muscle, a body-worn pneumatic wearable, and E-coral, an artistic interactive textile installation. We utilised the first-person soma design method to facilitate the iterative design and unfold the emotional connection between the user and the materials. We contribute technology-embedded fashion design strategies to inspire novice fashion designers, which involve dynamic draping, ambiguous cutting, and sewing technique-based pneumatic systems. Design guidelines generated can shed new light on the artistic use of technologies, somatic design, and the emotionally durable design approach.

The brilliant effect of the Buddha not only strengthens Buddhist believers’ psychological effects of worship, consecration, and showing off of merits, but also becomes an important dissemination method to attract the public to join in. Starting from the golden skin of ancient Buddha statues, this paper analyzes the relevant historical documents and unearthed objects of gilded Buddha statues in ancient India, Afghanistan, Pakistan, and China and pays attention to the body decoration and technology dissemination as well as the process and influence of Chinese localization. In traditional Buddhist culture, gold technology and its application have an important impact on artistic expression, appearance protection, and the psychology of Buddhist statues. In the Late Tang Dynasty, the government and Buddhism suffered conflicts between supply and demand due to gold resources. The forced stripping of gilded Buddha statues became a historical epitome reflecting the deep social and economic problems.