Video summarization technologies aim to create a concise and complete synopsis by selecting the most informative parts of the video content. Several approaches have been developed over the last couple of decades, and the current state of the art is represented by methods that rely on modern deep neural network architectures. This work focuses on the recent advances in the area and provides a comprehensive survey of the existing deep-learning-based methods for generic video summarization. After presenting the motivation behind the development of technologies for video summarization, we formulate the video summarization task and discuss the main characteristics of a typical deep-learning-based analysis pipeline. Then, we suggest a taxonomy of the existing algorithms and provide a systematic review of the relevant literature that shows the evolution of the deep-learning-based video summarization technologies and leads to suggestions for future developments. We then report on protocols for the objective evaluation of video summarization algorithms, and we compare the performance of several deep-learning-based approaches. Based on the outcomes of these comparisons, as well as some documented considerations about the amount of annotated data and the suitability of evaluation protocols, we indicate potential future research directions.

In this paper, a novel approach to video temporal decomposition into semantic units, termed scenes, is presented. In contrast to previous temporal segmentation approaches that employ mostly low-level visual or audiovisual features, we introduce a technique that jointly exploits low-level and high-level features automatically extracted from the visual and the auditory channel. This technique is built upon the well-known method of the scene transition graph (STG), first by introducing a new STG approximation that features reduced computational cost, and then by extending the unimodal STG-based temporal segmentation technique to a method for multimodal scene segmentation. The latter exploits, among others, the results of a large number of TRECVID-type trained visual concept detectors and audio event detectors, and is based on a probabilistic merging process that combines multiple individual STGs while at the same time diminishing the need for selecting and fine-tuning several STG construction parameters. The proposed approach is evaluated on three test datasets, comprising TRECVID documentary films, movies, and news-related videos, respectively. The experimental results demonstrate the improved performance of the proposed approach in comparison to other unimodal and multimodal techniques of the relevant literature and highlight the contribution of high-level audiovisual features toward improved video segmentation to scenes.

This paper presents a new method for unsupervised video summarization. The proposed architecture embeds an Actor-Critic model into a Generative Adversarial Network and formulates the selection of important video fragments (that will be used to form the summary) as a sequence generation task. The Actor and the Critic take part in a game that incrementally leads to the selection of the video key-fragments, and their choices at each step of the game result in a set of rewards from the Discriminator. The designed training workflow allows the Actor and Critic to discover a space of actions and automatically learn a policy for key-fragment selection. Moreover, the introduced criterion for choosing the best model after the training ends, enables the automatic selection of proper values for parameters of the training process that are not learned from the data (such as the regularization factor σ). Experimental evaluation on two benchmark datasets (SumMe and TVSum) demonstrates that the proposed AC-SUM-GAN model performs consistently well and gives SoA results in comparison to unsupervised methods, that are also competitive with respect to supervised methods.

This paper presents a new video summarization approach that integrates an attention mechanism to identify the significant parts of the video, and is trained unsupervisingly via generative adversarial learning. Starting from the SUM-GAN model, we first develop an improved version of it (called SUM-GAN-sl) that has a significantly reduced number of learned parameters, performs incremental training of the model’s components, and applies a stepwise label-based strategy for updating the adversarial part. Subsequently, we introduce an attention mechanism to SUM-GAN-sl in two ways: (i) by integrating an attention layer within the variational auto-encoder (VAE) of the architecture (SUM-GAN-VAAE), and (ii) by replacing the VAE with a deterministic attention auto-encoder (SUM-GAN-AAE). Experimental evaluation on two datasets (SumMe and TVSum) documents the contribution of the attention auto-encoder to faster and more stable training of the model, resulting in a significant performance improvement with respect to the original model and demonstrating the competitiveness of the proposed SUM-GAN-AAE against the state of the art (Software publicly available at: https://github.com/e-apostolidis/SUM-GAN-AAE ).

In this work we propose a DCNN (Deep Convolutional Neural Network) architecture that addresses the problem of video/image concept annotation by exploiting concept relations at two different levels. At the first level, we build on ideas from multi-task learning, and propose an approach to learn conceptspecific representations that are sparse, linear combinations of representations of latent concepts. By enforcing the sharing of the latent concept representations, we exploit the implicit relations between the target concepts. At a second level, we build on ideas from structured output learning, and propose the introduction, at training time, of a new cost term that explicitly models the correlations between the concepts. By doing so, we explicitly model the structure in the output space (i.e., the concept labels). Both of the above are implemented using standard convolutional layers and are incorporated in a single DCNN architecture that can then be trained end-to-end with standard back-propagation. Experiments on four large-scale video and image datasets show that the proposed DCNN improves concept annotation accuracy and outperforms the related state-of-the-art methods.

In this paper, we propose a maximum margin classifier that deals with uncertainty in data input. More specifically, we reformulate the SVM framework such that each training example can be modeled by a multi-dimensional Gaussian distribution described by its mean vector and its covariance matrix -- the latter modeling the uncertainty. We address the classification problem and define a cost function that is the expected value of the classical SVM cost when data samples are drawn from the multi-dimensional Gaussian distributions that form the set of the training examples. Our formulation approximates the classical SVM formulation when the training examples are isotropic Gaussians with variance tending to zero. We arrive at a convex optimization problem which we solve efficiently in the primal form using a stochastic gradient descent approach. The resulting classifier, which we name SVM with Gaussian Sample Uncertainty (SVM-GSU), is tested on synthetic data and five publicly available and popular datasets; namely, the MNIST, WDBC, DEAP, TV News Channel Commercial Detection, and TRECVID MED datasets. Experimental results verify the effectiveness of the proposed method.