Sevil Bulanik

Dr. Sevil Bulanik

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Research Focus & Metrics

Academic Career Length

4Years (2023-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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30 January 2023 in Land
Verified
Journal Article
Open access
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HGHuriye Gurdalli
Huriye Gurdalli
SBSevil Bulanik
Sevil Bulanik
The reproduction of space along the border in post-conflict divided cities is an important issue in relation to urban resilience. Nicosia, widely known as the last divided capital city in Europe, is the capital city of Turkish Cypriots in the north and Greek Cypriots in the south. The Buffer Zone was formalized in 1974 as an emergency measure against inter-communal clashes. Further, the walled city of Nicosia was bisected, and thus urban and social unity became a relic of the past. In addition, the city center became the edge of the two bisected halves. The Nicosia Master Plan (NMP) was initiated by professionals on both sides. Moreover, it was in the first planning attempt that Nicosia was considered as a whole. The NMP was the first self-reliant quest that was developed for the purpose of finding a solution that could operate without having to wait for a political consensus. The Ledra Palace crossing opened in 2003 as the first opening on the border that ran across the United Nations (UN)-controlled Buffer Zone in Nicosia. Such a crossing possessed a symbolic meaning; the two communities feel as if they are socially united, and it encouraged NGOs and artists to step forward and allow the border to be perceived not as a boundary but as a shared space. The Buffer Fringe Festival is one of the recent cultural organizations that was held along the divide of Nicosia and it is also the festival scrutinized in this paper. This festival was designed to explore the boundary as a phenomenon experienced in daily life; furthermore, discussions were had regarding how the Buffer Fringe actors and artists perceived the festival as a peace-making tool. Together with visual and verbal records, the analysis conducted in this paper is based on qualitative data within a theoretical framework concerning body–space connections. In this paper, the aim is to emphasize how festivals can function beyond the limits of borders, provide an arena for connecting people, and exemplifies how one can interpret the spatial transformation of a space within the context of post-conflict divided cities.