In recent years, a Fourth Industrial Revolution emerged in public discourse as a narrative of exceptional societal disruption. At the core of this conceptual construct, led by the World Economic Forum, rests a sociotechnical imaginary of future essentialism, based on the revolutionary potential of digital, biological and physical innovations. This article addresses the lack of studies assessing the dynamics between the institutionalisation and the public performance of the Fourth Industrial Revolution concept through news media. We present the results of a quantitative content analysis of how the topic has been covered (frames, sources, tone) by the Portuguese national circulation press (2013–2020). This exploratory case study informs a proposal for an epistemic and methodological articulation between the theoretical frameworks of sociotechnical imaginaries and of media framing.

Immersive journalism has been promoted as an alternative way of producing content that allows users to experience first-hand the events depicted in the news story. This mixed-method study examines how immersive journalism impacts the user experience of non-fictional narratives in news practices. A between-subject experiment (n = 104) was conducted to inspect the effects of system immersion on place illusion and co-presence. Using a 360-degree video news report produced by the Spanish newspaper El País as a stimulus, two viewing conditions were compared: magic window and 360 degree with a VR headset. The results show that VR technologies determine the effective potential of immersive journalism, namely the experience of place illusion and co-presence and that audiences do not actually explore the so-called whole picture, as a 90–180° movement for exploration prevailed.

Artificial intelligence (AI) technologies have been increasingly developed and applied in the audiovisual sector. Over-the-top (OTT) services, directly distributed to viewers via the Internet, are associated with a shift towards automation through algorithmic mediation in audiovisual content led by digital platforms. However, scientific knowledge regarding algorithmic recommender systems and automation in OTT services is not yet systemized; researchers, practitioners, and the public thus lack full awareness about the still largely opaque phenomena. To address this gap, we conduct a systematic literature review in the communication domain (2010–2022) and answer four key research questions: What research objectives have been pursued? What concepts have been developed and/or applied? What methodologies have been privileged? Which OTT platforms have received the most research attention? Challenges and opportunities are highlighted, and an agenda for future research is advanced.