Omiš is characterised by an exceptional layering of its natural environment and historical architecture, which is why its modern achievements have not been fully researched so far. The aim of this scientific paper is a more comprehensive study of the modern architecture of Omiš of the second half of the 20th century. Its architectural corpus has remained in the shadow of modern architectural realisations of the nearby city of Split, which belongs to the same prominent protagonists of modernity. Work methods in this paper have included the analysis of primary and secondary sources and research of the current situation in the field. This work, for the first time, gives a systematic presentation of the modern architecture of this picturesque town while the elements of the author’s expression integrate features of modern architecture and reinterpret the tradition of life in the Mediterranean.

Dinko Kovačić is a prominent Croatian architect and university professor. His design approach is characterised by exceptional empathy that results in architectural works of intense connection with the environment as well as with that of their future users. Although many of Kovačić’s works have been published in the daily press and professional publications, the complete oeuvre of this architect has so far not been the subject of scientific research. The aim of this scientific work is to look at his specific design approach based on the analysis of representative examples. Research methods in this paper include the analysis of primary and secondary sources and on-site observation. The article gives a systematic presentation of Dinko Kovačić’s work as related to his specific approach, which integrates the modernism of the second half of the 20th century and the Mediterranean tradition.

Ivo Radić (Split, 1930–Split, 2006) is a prominent Croatian architect who contributed mostly to the field of residential architecture and tourism facilities. The most important buildings that he designed were realised in Split, a city in the Mediterranean part of Croatia. Buildings that he designed have many features of the International style. Nevertheless, in their design, the architect also successfully introduced the elements of regional Mediterranean vocabulary, using contemporary materials and technology. This paper is focused on three formative projects of architect Ivo Radić, analysing them by their urban context, architectural design and technical innovation of their architectural elements, trying to outline the architect’s discourse. The aim of the research is to emphasise the importance of Ivo Radić’s work in the context of the modernist urban and architectural heritage of Split and Croatia and to underline the need to define an appropriate approach in the evaluation and protection of the heritage of modernist residential architecture and urbanism.

Josip Vojnović (Omiš, 1929–Split, 2008) is a prominent Croatian architect, primarily known in professional circles for organising the construction of Split 3, the expansion of Split during the 1970s. His professional career began with the design of primarily residential buildings and concluded with his position as a university professor. This article analyses the URBS 1 standard residential buildings constructed during the 1960s, which were intended to address the housing shortage in post-war Split. These buildings—the most notable part of Vojnović’s design work—were built in several locations throughout Dalmatia. Even at the time of their construction, they were recognised as a significant example of designed and executed standardised residential architecture. This research is based on archival materials from the State Archives in Split, the Archive of the Urban Planning Institute of Dalmatia–Split, as well as research in situ. The article examines the design of the standard building, including a functional analysis of the residential unit and all the floors, as well as a formal and compositional analysis of the façade. The URBS-1 buildings are an illustrative example of housing construction, due to their number, distribution and architectural features shaped by the economic, technological, social and cultural context of the time.