This paper presents a general analysis of all the quartic equations with real coefficients and multiple roots; this analysis revealed some unknown formulae to solve each kind of these equations and some precisions about the relation between these ones and the Resolvent Cubic; for example, it is well-known that any quartic equation has multiple roots whenever its Resolvent Cubic also has multiple roots; however, this analysis reveals that any non-biquadratic quartic equation and its Resolvent Cubic always have the same number of multiple roots; additionally, the four roots of any quartic equation with multiple roots are real whenever some specific forms of its Resolvent Cubic have three non-negative real roots. This analysis also proves that any method to solve third-degree equations is unnecessary to solve quartic equations with multiple roots, despite the existence of the Resolvent Cubic; finally, here is developed a generalized variation of the Ferrari Method and the Descartes Method, which help to avoid complex arithmetic operations during the resolution of any quartic equation with real coefficients, even though this equation has non-real roots; and a new, more simplified form of the discriminant of the quartic equations is also featured here.

In order to propose a deeper analysis of the general quartic equation with real coefficients, the analytical solutions for all cubic and quartic equations were reviewed here; then, it was found that there can only be one form of the resolvent cubic that satisfies the following two conditions at the same time: (1) Its discriminant is identical to the discriminant of the general quartic equation. (2) It has at least one positive real root whenever the general quartic equation is non-biquadratic. This unique special form of the resolvent cubic is defined here as the “Standard Form of the Resolvent Cubic”, which becomes relevant since it allows us to reveal the relationship between the nature of the roots of the general quartic equation and the nature of the roots of all the forms of the resolvent cubic. Finally, this new analysis is the basis for designing and programming efficient algorithms that analytically solve all algebraic equations of the fourth and lower degree with real coefficients, always avoiding the application of complex arithmetic operations, even when these equations have non-real complex roots.

Sustainable fashion is a philosophy centered on the ethical and environmentally responsible production of garments. However, currently prevailing in the market is a model known as fast fashion, which is characterized by mass production of low-quality garments at affordable prices. In this context, our article presents a comparative analysis between sustainable fashion and fast fashion, highlighting how these models represent two divergent approaches in the fashion industry. Overall, this work aims to contribute to the literature by exploring the differences, challenges, and advancements in the development of both trends. The study examines production speed, material usage, working conditions, and environmental awareness, developing a conceptual framework that provides an overview of the complexity of the fashion industry and its potential direction in terms of sustainability and responsible consumption.

La taza es uno de los artefactos más antiguos y que menos cambios ha presentado a través del tiempo, sin embargo, el diseño tradicional presenta dos limitantes: la incapacidad de almacenaje espacial y el desperdicio de área perimetral. En este trabajo se propone el desarrollo de un prototipo de taza basado en la descomposición del plano Euclidiano, específicamente en la utilización del hexágono como figura principal. La disminución del desperdicio perimetral se ha logrado modificando el asa lateral externa de forma tal que quede contenida en una de las caras laterales del hexágono permitiendo la optimización del espacio cúbico en lugares reducidos de almacenamiento; para lograr un estibaje vertical en varios niveles se incorporó una base circular que facilita la interconectividad de las piezas al momento de su estibación. Por otra parte, la forma ergonómica y estética del nuevo diseño facilita su sujeción durante su uso y manipulación. La descripción de las partes que integran el diseño, así como su justificación, se tratan a continuación