Cultural Heritage is a crucial socioeconomic resource; yet, recurring degradation processes endanger its preservation. Serendipitous approaches in restoration practice need to be replaced by systematically addressing conservation issues through the development of advanced materials for the preservation of the artifacts. In the last few decades, materials and colloid science have provided valid solutions to counteract degradation, and we report here the main highlights in the formulation and application of materials and methodologies for the cleaning, protection and consolidation of works of art. Several types of artifacts are addressed, from murals to canvas paintings, metal objects, and paper artworks, comprising both classic and modern/contemporary art. Systems, such as nanoparticles, gels, nanostructured cleaning fluids, composites, and other functional materials, are reviewed. Future perspectives are also commented, outlining open issues and trends in this challenging and exciting field.

The search for innovative, smart and performing cleaning agents is one of the main issues of modern conservation science. Nanosciences do not only provide solutions to this scientific field in terms of new materials but also change radically the approach to problems and challenges. In this feature article we review the most innovative nanostructured systems developed in the last decade for the cleaning of artworks together with some noteworthy case studies. Micelles, microemulsions, thickened complex fluids, and responsive gels that constitute the new “cleaning palette” for modern conservators are here presented and critically analyzed. The development of these smart nanostructured systems requires the comprehension of their behavior and interactions with other materials down to the nanoscale. In the last section of this manuscript we report on the most recent results from a study about the mechanism of polymer removal from porous artifacts using nanofluids, such as micelles or microemulsions. The rules of classical detergency do not fully address the polymer removal mechanism and a schematic model of the process is proposed.

Conservation of works of art often involves the inappropriate application of synthetic polymers. We have proposed the use of alternative methodologies for conservation and formulated innovative cleaning nanostructured systems to remove previously applied polymer films and grime from painted surfaces. In particular, a novel “micellar system” composed of water, SDS, 1-pentanol, ethyl acetate and propylene carbonate was recently formulated and successfully used to remove acrylic and vinyl/acrylic copolymers from Mesoamerican wall paintings in the archeological site of Cholula, Mexico. This contribution reports on the mechanism of the interaction process that takes place between the nanostructured fluid and the polymer coating at the nanoscale. The structural properties of the “micellar solution” and of the polymer film are investigated before, during and after the interaction process using several surface and solution techniques. Rather than a classical detergency mechanism, we demonstrate that micelles act as solvent containers and interact with the polymer film leading to its swelling and detachment from the surface and to its segregation in a liquid droplet, which phase-separates from the aqueous bulk. After the removal process the micelles become smaller in size and undergo a structural re-arrangement due to the depletion of the organic solvents. These findings can be framed in an interaction mechanism which describes the removal process, opening up new perspectives in the design and formulation of new cleaning systems specifically tailored for intervention on particular conservation issues.