Music recommender systems (MRSs) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user’s fingertip. While today’s MRSs considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user–item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art toward solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field.

We provide a survey of the field of Music Information Retrieval (MIR), in particular paying attention to latest developments, such as semantic auto-tagging and user-centric retrieval and recommendation approaches. We first elaborate on well-established and proven methods for feature extraction and music indexing, from both the audio signal and contextual data sources about music items, such as web pages or collaborative tags. These in turn enable a wide variety of music retrieval tasks, such as semantic music search or music identification (“query by example”). Subsequently, we review current work on user analysis and modeling in the context of music recommendation and retrieval, addressing the recent trend towards user-centric and adaptive approaches and systems. A discussion follows about the important aspect of how various MIR approaches to different problems are evaluated and compared. Eventually, a discussion about the major open challenges concludes the survey.

Like in many other research areas, deep learning (DL) is increasingly adopted in music recommendation systems (MRS). Deep neural networks are used in this domain particularly for extracting latent factors of music items from audio signals or metadata and for learning sequential patterns of music items (tracks or artists) from music playlists or listening sessions. Latent item factors are commonly integrated into content-based filtering and hybrid MRS, whereas sequence models of music items are used for sequential music recommendation, e.g., automatic playlist continuation. This review article explains particularities of the music domain in RS research. It gives an overview of the state of the art that employs deep learning for music recommendation. The discussion is structured according to the dimensions of neural network type, input data, recommendation approach (content-based filtering, collaborative filtering, or both), and task (standard or sequential music recommendation). In addition, we discuss major challenges faced in MRS, in particular in the context of the current research on deep learning.

Research has shown that recommender systems are typically biased towards popular items, which leads to less popular items being underrepresented in recommendations. The recent work of Abdollahpouri et al. in the context of movie recommendations has shown that this popularity bias leads to unfair treatment of both long-tail items as well as users with little interest in popular items. In this paper, we reproduce the analyses of Abdollahpouri et al. in the context of music recommendation. Specifically, we investigate three user groups from the Last.fm music platform that are categorized based on how much their listening preferences deviate from the most popular music among all Last.fm users in the dataset: (i) low-mainstream users, (ii) medium-mainstream users, and (iii) high-mainstream users. In line with Abdollahpouri et al., we find that state-of-the-art recommendation algorithms favor popular items also in the music domain. However, their proposed Group Average Popularity metric yields different results for Last.fm than for the movie domain, presumably due to the larger number of available items (i.e., music artists) in the Last.fm dataset we use. Finally, we compare the accuracy results of the recommendation algorithms for the three user groups and find that the low-mainstreaminess group significantly receives the worst recommendations.

Personalization and context-awareness are highly important topics in research on Intelligent Information Systems. In the fields of Music Information Retrieval (MIR) and Music Recommendation in particular, user-centric algorithms should ideally provide music that perfectly fits each individual listener in each imaginable situation and for each of her information or entertainment needs. Even though preliminary steps towards such systems have recently been presented at the “International Society for Music Information Retrieval Conference” (ISMIR) and at similar venues, this vision is still far away from becoming a reality. In this article, we investigate and discuss literature on the topic of user-centric music retrieval and reflect on why the breakthrough in this field has not been achieved yet. Given the different expertises of the authors, we shed light on why this topic is a particularly challenging one, taking computer science and psychology points of view. Whereas the computer science aspect centers on the problems of user modeling, machine learning, and evaluation, the psychological discussion is mainly concerned with proper experimental design and interpretation of the results of an experiment. We further present our ideas on aspects crucial to consider when elaborating user-aware music retrieval systems.

The most common way to listen to recorded music nowadays is via streaming platforms, which provide access to tens of millions of tracks. To assist users in effectively browsing these large catalogs, the integration of music recommender systems (MRSs) has become essential. Current real‐world MRSs are often quite complex and optimized for recommendation accuracy. They combine several building blocks based on collaborative filtering and content‐based recommendation. This complexity can hinder the ability to explain recommendations to end users, which is particularly important for recommendations perceived as unexpected or inappropriate. While pure recommendation performance often correlates with user satisfaction, explainability has a positive impact on other factors such as trust and forgiveness, which are ultimately essential to maintain user loyalty.In this article, we discuss how explainability can be addressed in the context of MRSs. We provide perspectives on how explainability could improve music recommendation algorithms and enhance user experience. First, we review common dimensions and goals of recommenders explainability and in general of eXplainable Artificial Intelligence (XAI), and elaborate on the extent to which these apply—or need to be adapted—to the specific characteristics of music consumption and recommendation. Then, we show how explainability components can be integrated within a MRS and in what form explanations can be provided. Since the evaluation of explanation quality is decoupled from pure accuracy‐based evaluation criteria, we also discuss requirements and strategies for evaluating explanations of music recommendations. Finally, we describe the current challenges for introducing explainability within a large‐scale industrial MRS and provide research perspectives.