Ichiro Kuriki

Dr. Ichiro Kuriki

Information and Computer Sciences, Saitama University, Saitama, Japan
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Research Focus & Metrics

Academic Career Length

34Years (1993-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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1 March 2017 in Journal of Vision
Verified
Journal Article
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IKIchiro Kuriki
Ichiro Kuriki
RLRyan Lange
Ryan Lange
YMYumiko Muto
Yumiko Muto
ABAngela M. Brown
Angela M. Brown
KFKazuho Fukuda
Kazuho Fukuda
SSSatoshi Shioiri
Satoshi Shioiri
Despite numerous prior studies, important questions about the Japanese color lexicon persist, particularly about the number of Japanese basic color terms and their deployment across color space. Here, 57 native Japanese speakers provided monolexemic terms for 320 chromatic and 10 achromatic Munsell color samples. Through k-means cluster analysis we revealed 16 statistically distinct Japanese chromatic categories. These included eight chromatic basic color terms (aka/red, ki/yellow, midori/green, ao/blue, pink, orange, cha/brown, and murasaki/purple) plus eight additional terms: mizu (“water”)/light blue, hada (“skin tone”)/peach, kon (“indigo”)/dark blue, matcha (“green tea”)/yellow-green, enji/maroon, oudo (“sand or mud”)/mustard, yamabuki (“globeflower”)/gold, and cream. Of these additional terms, mizu was used by 98% of informants, and emerged as a strong candidate for a 12th Japanese basic color term. Japanese and American English color-naming systems were broadly similar, except for color categories in one language (mizu, kon, teal, lavender, magenta, lime) that had no equivalent in the other. Our analysis revealed two statistically distinct Japanese motifs (or color-naming systems), which differed mainly in the extension of mizu across our color palette. Comparison of the present data with an earlier study by Uchikawa & Boynton (1987) suggests that some changes in the Japanese color lexicon have occurred over the last 30 years.

1 August 2008 in Journal of Vision
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Journal Article
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IKIchiro Kuriki
Ichiro Kuriki
HAHiroshi Ashida
Hiroshi Ashida
IMIkuya Murakami
Ikuya Murakami
AKAkiyoshi Kitaoka
Akiyoshi Kitaoka
The neural basis of illusory motion perception evoked from static images has not been established well. We examined changes in neural activity in motion sensitive areas of the human visual cortex by using functional magnetic resonance imaging (fMRI) technique when a static illusory-motion image (‘Rotating Snakes’) was presented to participants. The blood-oxygenation-level dependent (BOLD) signal changes were compared between the test stimulus that induced illusory motion perception and the control stimulus that did not. Comparison was also made between those stimuli with and without eye movements. Signal changes for the test stimulus were significantly larger than those for the control stimulus, if accompanied by eye movements. On the other hand, the difference in signal changes between test and control stimuli was smaller, if steady fixation was required. These results support the empirical finding that this illusion is related to some component of eye movements.

30 September 2015 in Cerebral Cortex
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Journal Article
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IKIchiro Kuriki
Ichiro Kuriki
PSPei Sun
Pei Sun
KUKenichi Ueno
Kenichi Ueno
KTKeiji Tanaka
Keiji Tanaka
KCKang Cheng
Kang Cheng
The variability of color-selective neurons in human visual cortex is considered more diverse than cone-opponent mechanisms. We addressed this issue by deriving histograms of hue-selective voxels measured using fMRI with a novel stimulation paradigm, where the stimulus hue changed continuously. Despite the large between-subject difference in hue-selective histograms, individual voxels exhibited selectivity for intermediate hues, such as purple, cyan, and orange, in addition to those along cone-opponent axes. In order to rule the possibility out that the selectivity for intermediate hues emerged through spatial summation of activities of neurons selectively responding to cone-opponent signals, we further tested hue-selective adaptations in intermediate directions of cone-opponent axes, by measuring responses to 4 diagonal hues during concurrent adaptation to 1 of the 4 hues. The selective and unidirectional reduction in response to the adapted hue lends supports to our argument that cortical neurons respond selectively to intermediate hues.


5 August 2020 in Cerebral Cortex Communications
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Journal Article
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SKSae Kaneko
Sae Kaneko
IKIchiro Kuriki
Ichiro Kuriki
SASøren K Andersen
Søren K Andersen
Colors are represented in the cone-opponent signals, L-M versus S cones, at least up to the level of inputs to the primary visual cortex. We explored the hue selective responses in early cortical visual areas through recordings of steady-state visual evoked potentials (SSVEPs), elicited by a flickering checkerboard whose color smoothly swept around the hue circle defined in a cone-opponent color space. If cone opponency dominates hue representation in the source of SSVEP signals, SSVEP amplitudes as a function of hue should form a profile that is line-symmetric along the cardinal axes of the cone-opponent color space. Observed SSVEP responses were clearly chromatic ones with increased SSVEP amplitudes and reduced response latencies for higher contrast conditions. The overall elliptic amplitude profile was significantly tilted away from the cardinal axes to have the highest amplitudes in the “lime-magenta” direction, indicating that the hue representation in question is not dominated by cone-opponency. The observed SSVEP amplitude hue profile was better described as a summation of a perceptual response and cone-opponent responses with a larger weight to the former. These results indicate that hue representations in the early visual cortex, measured by the SSVEP technique, are possibly related to perceptual color contrast.

1 June 2015 in Journal of Vision
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IKIchiro Kuriki
Ichiro Kuriki
The mode of color appearance (mode) is a concept suggesting that variations in a medium that emits, transmits, or reflects light can cause differences in color appearance. For example, the same light beams that appear brown (or gray) when reflected from a given object surface may appear orange (or white) when emitted from a light source. The present study investigated the relationships between material perception and perceived mode, especially in terms of luminosity. In the experiment, a rotating spheroid was presented with surrounds of various luminance levels. The surface texture of the spheroid was either matte gray (three surface reflectance levels) or one of two fabrics. The participants were asked to evaluate the luminosity (mode) and perceived reflectance of the object. The results show that the mode perception is clearly different from the lightness perception. The luminosity was fit with a linear function of the lightness scale in CIE (Commission Internationale de l'Éclairage) L* value of the object surface, unless the material of the surface was identifiable. To conclude, the luminosity (mode) perception can be strongly affected by the material percept, and the luminosity perception of the same object can vary when its surface property is ambiguous.