A noniterative method for the reconstruction of the short-time fourier transform (STFT) phase from the magnitude is presented. The method is based on the direct relationship between the partial derivatives of the phase and the logarithm of the magnitude of the un-sampled STFT with respect to the Gaussian window. Although the theory holds in the continuous setting only, the experiments show that the algorithm performs well even in the discretized setting (discrete Gabor transform) with low redundancy using the sampled Gaussian window, the truncated Gaussian window and even other compactly supported windows such as the Hann window. Due to the noniterative nature, the algorithm is very fast and it is suitable for long audio signals. Moreover, solutions of iterative phase reconstruction algorithms can be improved considerably by initializing them with the phase estimate provided by the present algorithm. We present an extensive comparison with the state-of-the-art algorithms in a reproducible manner.

We obtain a characterization of all wavelets leading to analytic wavelet transforms (WT). The characterization is obtained as a by-product of the theoretical foundations of a new method for wavelet phase reconstruction from magnitude-only coefficients. The cornerstone of our analysis is an expression of the partial derivatives of the continuous WT, which results in phase-magnitude relationships similar to the short-time Fourier transform (STFT) setting and valid for the generalized family of Cauchy wavelets. We show that the existence of such relations is equivalent to analyticity of the WT up to a multiplicative weight and a scaling of the mother wavelet. The implementation of the new phaseless reconstruction method is considered in detail and compared to previous methods. It is shown that the proposed method provides significant performance gains and a great flexibility regarding accuracy versus complexity. Additionally, we discuss the relation between scalogram reassignment operators and the wavelet transform phase gradient and present an observation on the phase around zeros of the WT.

Many audio applications rely on filter banks (FBs) to analyze, process, and re-synthesize sounds. For these applications, an important property of the analysis–synthesis system is the reconstruction error; it has to be minimized to avoid audible artifacts. Other advantageous properties include stability and low redundancy. To exploit some aspects of auditory perception in the signal chain, some applications rely on FBs that approximate the frequency analysis performed in the auditory periphery, the gammatone FB being a popular example. However, current gammatone FBs only allow partial reconstruction and stability at high redundancies. In this article, we construct an analysis–synthesis system for audio applications. The proposed system, referred to as Audlet, is an oversampled FB with filters distributed on auditory frequency scales. It allows perfect reconstruction for a wide range of FB settings (e.g., the shape and density of filters), efficient FB design, and adaptable redundancy. In particular, we show how to construct a gammatone FB with perfect reconstruction. Experiments demonstrate performance improvements of the proposed gammatone FB when compared to current gammatone FBs in terms of reconstruction error and stability, especially at low redundancies. An application of the framework to audio source separation illustrates its utility for audio processing.

An efficient algorithm for real-time signal reconstruction from the magnitude of the short-time Fourier transform (STFT) is introduced. The proposed approach combines the strengths of two previously published algorithms: the real-time phase gradient heap integration and the Gnann and Spiertz's real-time iterative spectrogram inversion with look-ahead. An extensive comparison with the state-of-the-art algorithms in a reproducible manner is presented.