The current scenario of colorimetry shows a wide variety of different metrics which do not converge in the assessment of the color rendering of light sources. The limitations of the Color Rendering Index have promoted the emergence of new metrics, such as the Color Quality Scale. As in the case of the previous metric, these new concepts are based on the analysis of the deviation of different color samples in a color space, contrasting the results with those obtained with a light source reference, which can vary depending on the color temperature. Within this context, the Daylight Spectrum Index is proposed. This new concept aims to determine the affinity with daylighting of electric light sources, comparing the resulting spectral power distributions of the lamps studied and that observed under natural light. The affinity of an electric light source with daylighting allows for lower energy consumption due to the better performance of human vision. The new metric proposed is evaluated following the results obtained from 80 surveys, demonstrating the usefulness of this new concept in the quantification of color rendering of LED lamps and the affinity of electric light sources with daylighting.

Este trabajo forma parte del proyecto de investigación Efficacia: Reducción del consumo energético y del impacto ambiental en la construcción de viviendas protegidas en Andalucía. Dicho proyecto tiene como objeto de estudio el edificio de viviendas protegidas de Cros-Pirotecnia, emplazado en el Barrio “Pirotecnia” del Distrito Sur de la ciudad de Sevilla. Uno de los objetivos de este trabajo es conocer la demanda y consumo energético, en tiempo real, de este conjunto de viviendas en régimen de alquiler. Para tener en cuenta la influencia de sus habitantes, los resultados obtenidos mediante la instalación de monitorización se ha complementado con una serie de encuestas sobre los hábitos de consumos de sus inquilinos. En este artículo se describe la metodología empleada para la monitorización y se presentan los principales resultados obtenidos, una vez transcurridos doce meses desde el comienzo del período de medida. Asimismo, se ofrecen los resultados más significativos de las encuestas realizadas a los inquilinos.

Light quality is a key parameter of building design, which is mainly defined by the perceived luminance and the color rendering. Nowadays, there is a wide variety of metrics that do not converge in the color rendition evaluation of current light sources. The obsolescence of the Color Rendering Index promoted the rise of new procedures to provide an accurate evaluation. However, the score provided by most of these metrics does not distinguish between color deviation and hue discrimination, giving a single value to assess the overall color perception allowed by a light source. In this context, a new study is proposed, based on the evaluation of seven different light sources, comparing the results of the most recent color rendering metrics and those observed using a Farnsworth–Munsell trial carried out with 115 participants. The results obtained show that there is a notable divergence between color rendition and hue discrimination, although there is a clear proportionality between both. Moreover, a clear relationship is observed between color discrimination and the correlative color temperature of light sources, providing a better hue distinction with cool light sources, even though the psychological preferences of the participants do not coincide with the optimal scenario for color discrimination.

After the Council of Trent (1545–1563), the Catholic Church undertook a profound renovation, which affected the spatial configuration of the churches to adjust to the spirit of the Counter-Reformation. The acoustic cultural heritage in these spaces have been studied by different researchers, proposing the joint analysis of 66 Catholic churches from the Baroque period. This study delves into the global characterisation of the sample and establishes correlations between geometric and acoustic parameters. From the acoustic analysis, it is clear that the central floor typology, as opposed to Latin cross churches, presents better average values of musical clarity in relation to their volume. The analysis of the relationship between acoustic and geometric parameters, when the sample of churches is discriminated by typology, allows for the establishment of appropriate correlations for Latin cross floor plans, single naves and basilicas, but not when the analysis is carried out for the entire sample. These correlations are a tool that allows us to evaluate acoustic parameters not measured in situ in Catholic churches of the Baroque period in a predictive way as a function of other measured acoustic or geometric parameters.