Alvaro Corral

Dr. Alvaro Corral

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Research Focus & Metrics

Academic Career Length

32Years (1995-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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10 March 2004 in Physical Review Letters
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ACAlvaro Corral
Alvaro Corral
Analyzing diverse seismic catalogs, we have determined that the probability densities of the earthquake recurrence times for different spatial areas and magnitude ranges can be described by a unique universal distribution if the time is rescaled with the rate of seismic occurrence, which therefore fully governs seismicity. The shape of the distribution shows the existence of clustering beyond the duration of aftershock bursts, and scaling reveals the self-similarity of the clustering structure in the space-time-magnitude domain. This holds from worldwide to local scales, for quite different tectonic environments and for all the magnitude ranges considered.

19 February 2013 in Physical Review Letters
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JBJordi Baró
Jordi Baró
ACAlvaro Corral
Alvaro Corral
XIXavier Illa
Xavier Illa
APAntoni Planes
Antoni Planes
ESEkhard K. H. Salje
Ekhard K. H. Salje
EVEduard Vives
Eduard Vives
It has long been stated that there are profound analogies between fracture experiments and earthquakes; however, few works attempt a complete characterization of the parallels between these so separate phenomena. We study the acoustic emission events produced during the compression of Vycor (SiO2). The Gutenberg-Richter law, the modified Omori’s law, and the law of aftershock productivity hold for a minimum of 5 decades, are independent of the compression rate, and keep stationary for all the duration of the experiments. The waiting-time distribution fulfills a unified scaling law with a power-law exponent close to 2.45 for long times, which is explained in terms of the temporal variations of the activity rate.

9 September 2003 in Physical Review E
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ACAlvaro Corral
Alvaro Corral
A recently proposed unified scaling law for interoccurrence times of earthquakes is analyzed, both theoretically and with data from Southern California. We decompose the corresponding probability density into local-instantaneous distributions, which scale with the rate of earthquake occurrence. The fluctuations of the rate, characterizing the nonstationarity of the process, show a double power-law distribution and are fundamental to determine the overall behavior, described by a double power law as well.

26 September 2013 in Acta Geophysica
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ADAnna Deluca
Anna Deluca
ACAlvaro Corral
Alvaro Corral

1 July 1996 in Physical Review Letters
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KCKim Christensen
Kim Christensen
ACAlvaro Corral
Alvaro Corral
VFVidar Frette
Vidar Frette
JFJens Feder
Jens Feder
TJTorstein Jøssang
Torstein Jøssang
We have studied experimentally transport properties in a slowly driven granular system which recently was shown to display self-organized criticality [Frette et al., Nature (London) 379, 49 (1996)]. Tracer particles were added to a pile and their transit times measured. The distribution of transit times is a constant with a crossover to a decaying power law. The average transport velocity decreases with system size. This is due to an increase in the active zone depth with system size. The relaxation processes generate coherently moving regions of grains mixed with convection. This picture is supported by considering transport in a 1D cellular automaton modeling the experiment.

26 July 2012 in Scientific Reports
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JSJoan Serrà
Joan Serrà
ACAlvaro Corral
Alvaro Corral
MBMarián Boguñá
Marián Boguñá
MHMartín Haro
Martín Haro
JAJosep Lluis Arcos
Josep Lluis Arcos
Popular music is a key cultural expression that has captured listeners' attention for ages. Many of the structural regularities underlying musical discourse are yet to be discovered and, accordingly, their historical evolution remains formally unknown. Here we unveil a number of patterns and metrics characterizing the generic usage of primary musical facets such as pitch, timbre, and loudness in contemporary western popular music. Many of these patterns and metrics have been consistently stable for a period of more than fifty years. However, we prove important changes or trends related to the restriction of pitch transitions, the homogenization of the timbral palette, and the growing loudness levels. This suggests that our perception of the new would be rooted on these changing characteristics. Hence, an old tune could perfectly sound novel and fashionable, provided that it consisted of common harmonic progressions, changed the instrumentation, and increased the average loudness.