To explore new methods to maintain the dimensional stability of waterlogged archaeological wood after drying and keep the natural cell lumens unaltered for future retreatments, activator regenerated by electron transfer (ARGET) atom transfer radical polymerization (ATRP) is employed to consolidate archaeological wood. To prepare the ATRP process, the waterlogged archaeological wood samples (Pinus massoniana with maximum moisture content of around 529%) were first modified by 2-bromoisobutyryl bromide in CH2Cl2 to acquire C-Br bonds as initiators. Then, butyl methacrylate or styrene was polymerized to the remaining cell walls with catalyst (CuBr2), reductant (ascorbic acid) and ligand (PMDETA) in ethanol. After the treatment, the samples were washed and naturally dried. The results characterized by microscopy showed that the polymerization only took place within the remaining cell walls, showing no sign of collapse or distortion after air drying, and all natural cell lumens could be retained for future retreatments. Also, anti-shrinkage efficiencies as high as 87.8% for the wood sample grafted with polystyrene and 98.5% for the wood sample grafted with polybutylmethacrylate were obtained from the treatment described in this paper, indicating modification of grafting polymer through ARGET ATRP can help maintain the dimensional stability of water archaeological wood effectively.
Here we first report a piece of K2O–PbO–SiO2 ancient glass opacified by fluorite dendrites with archaeological background. This piece of glass was excavated from Nanhai I shipwreck, a merchant ship once heading for Southeast Asia, but sinking near Yangjiang, Guangdong province. Analysis of scanning electron microscopy with energy dispersive spectroscopy, X-ray diffraction and Raman spectroscopy were used to identify the glass matrix and the fluorite dendritic crystals within it. The elemental feature is consistent with the prevailing K2O–PbO–SiO2 glass system during Tang and Song Dynasties. However, the presence of fluorite dendrites with almost no Na, Al and P elements strongly suggests an astonishing conclusion that the fluorite has already been used as an opacifying agent around 800 years ago. Moreover, through replication of glass samples with similar compositions to the ancient one, it is suggested that fluorite dendrites with a similar size can be obtained when fired at around 1000–1050 °C and cooled within the furnace. On the basis of different crystal growth outcomes of two cooling strategies and the presence of the large undisturbed dendrite, it is inferred that the original glass vessel was probably made though die-casting instead of blowing technique.
Glass beads excavated from Nanhai I shipwreck were investigated with scanning electron microscopy with energy dispersive spectrometer (SEM–EDS), Raman spectroscopy, multi-collector inductively coupled plasma mass spectrometry (MC-ICP-MS) and X-ray diffraction (XRD). Dating back to the Southern Song Dynasty, these beads help to study Chinese maritime trades during the twelfth–thirteenth century. The bead samples are categorized into five groups by color, i.e., yellow, orange-red, blue, dark red and light red. All beads are of K2O-PbO-SiO2 and PbO-SiO2 glass systems and in form of coil bead, which further confirms the Chinese origin of them. Lead tin yellow type II was identified in the opaque yellow coil beads, and K2SnxPb(1-x)Si3O9 crystals were found in both yellow and orange-red samples. Through the preparation of glass with the same formula as the ancient yellow beads, lead tin yellow type II was probably synthesized beforehand and added as colorant because its raw materials tend to form K2SnxPb(1-x)Si3O9 crystals in the K2O-PbO-SiO2 glass during firing. As lead tin yellow type II is an atypical colorant in China, these beads from Nanhai I shipwreck may serve as the first clear evidence of lead tin yellow type II presenting in the Chinese glass system. The lead isotope ratios of the yellow beads suggest they were produced in Fujian Province, China. The introduction of the lead tin yellow coloring technique might have a close connection to the glass making in the Southeast Asia and these beads seemed to be made specifically for overseas markets.