A significant problem in understanding the archaeology of standing buildings relates to the proscription to uncover features and structures within plastered and rendered walls due to the susceptibility and historic importance of such structures. Infrared thermography offers a method of visualization that is nondestructive and capable of revealing various types of archaeological anomaly that has been demonstrated on a small scale in the past. A passive infrared thermal camera is used to examine several historic buildings that are known or suspected to contain hidden archaeological information; the technique is also presented on complex, exposed historic building fabric. The results confirm that it is possible to detect various types of man-made anomaly and to differentiate building materials. In consequence, the use of passive thermal infrared imaging is shown to be a valuable tool in the examination and recording of historic buildings and structures.

There is a long history of the use of aerial imagery for archaeological research, but the application of multisensor image data has only recently been facilitated by the development of unmanned aerial vehicles (UAVs). Two archaeological sites in the East Midlands U.K. that differ in age and topography were selected for survey using multisensor imaging from a fixed-wing UAV. The aim of this study was to determine optimum methodology for the use of UAVs in examining archaeological sites that have no obvious surface features and examine issues of ground control target design, thermal effects, image processing and advanced filtration. The information derived from the range of sensors used in this study enabled interpretation of buried archaeology at both sites. For any archaeological survey using UAVs, the acquisition of visible colour (RGB), multispectral, and thermal imagery as a minimum are advised, as no single technique is sufficient to attempt to reveal the maximum amount of potential information.

The author of this book was one of the world's leading experts on Rousseau and the Enlightenment, but some of his best work was published in the form of widely scattered and difficult-to-find essays. This book collects for the first time a representative selection of his most important essays on Rousseau and the legacy of Enlightenment political thought. These essays concern many of the great themes of the age, including liberty, equality and the origins of revolution. But they also address a number of less prominent debates, including those over cosmopolitanism, the nature and social role of music and the origins of the human sciences in the Enlightenment controversy over the relationship between humans and the great apes. These essays also explore Rousseau's relationships to Rameau, Pufendorf, Voltaire, and Marx; reflect on the work of important earlier scholars of the Enlightenment, including Ernst Cassirer and Isaiah Berlin; and examine the influence of the Enlightenment on the twentieth century. One of the central themes of the book is a defense of the Enlightenment against the common charge that it bears responsibility for the terror of the French Revolution, the totalitarian regimes of the twentieth-century and the Holocaust.

The Raman spectroscopic analysis of a rare wall decoration in a church belltower, depicting the initials of couples married there in circular roundels over some 230 years, since 1777, has been undertaken prior to their impending restoration. The spectral data indicate that the red pigment is exclusively haematite which has been applied to plaster which exhibits the signatures variously of calcite, gypsum, anhydrite, calcium phosphate and dolomitic limestone; evidence of amorphous carbon is attributed to the deposition of soot from candle illumination, which has been recorded in historical documentation. The presence of biosignatures attributed to carotenoids in several samples is evidence of biological colonisation and potential deterioration which requires special treatment in the restoration strategies. The blackened areas near the upper edges of the wall decoration indicate carbon deposition and organic contamination. The latest addition to the decoration accomplished in 2008 shows that haematite has been used over a calcite ground. In earlier dated specimens, the presence of limewash is evident, which has only been partially converted into calcite by aerial attack from carbon dioxide in moist conditions.

An organ case from Lincoln, England, designed by the architect Temple Moore in 1907 was examined during conservation work using Raman spectroscopy in order to analyze the decorative paint composition. Samples from the six principal colours were extracted and examined using a Bruker Senterra R200-L spectrometer. The results are the first known formal analysis of a painted scheme by this architect, and they reveal a mixture of commonly used pigments for the period and the unexpected use of simpler, earth pigments, along with an unusual admixture in the red, along with an organic additive. The findings are of importance to both the conservation of Temple Moore’s artwork, in understanding the experimentation used in early twentieth-century England, and in furthering our knowledge of ecclesiastical decorative artwork of the late nineteenth and early twentieth centuries.