World fairs and exhibitions served as important venues for empires to showcase their industrial and technological achievements. Moreover, they also presented ‘civilisational models’ that portrayed Europeans as the most advanced and sophisticated and depicted the distant inhabitants as exotic and primitive. In portraying distant peoples, these contrasts were evident through their dress styles, dance, music, and performance of daily customs, but most noticeably, through their skin colours. With five articles focusing on world fairs and exhibitions in diverse locations and times, this special issue raises questions about the display and showcasing of humans that are still pertinent to the current contexts of anthropology. The articles call for ‘decolonising’ thoughts, discourses, and practices in political and public space in displaying contemporary cultures. While acknowledging the problematics and limits of ‘decolonisation’ itself, the articles reassess through a critical lens the connections between fairs and exhibitions in the early days of anthropology.

Après les séismes qui ont frappé la Turquie, le 17 août et le 12 novembre 1999, l'AFEMOTI a lancé une campagne d'aide pour les enfants victimes de ces catastrophes. Une partie des fonds récoltés a été allouée au projet de "Maison des contes" (Masal Evi). On trouvera ici un premier bilan de cette action par Hande Birkalan qui pilote le projet. Cela permet de prendre connaissance de l'action que l'Association éditrice de la publication soutient et dont il a été fait état dans les derniers numéros des Cahiers.