Terahertz frequency-wavelet deconvolution is utilized specifically for the stratigraphic and subsurface investigation of art paintings with terahertz reflective imaging. In order to resolve the optically thin paint layers, a deconvolution technique is enhanced by the combination of frequency-domain filtering and stationary wavelet shrinkage, and applied to investigate a mid-20th century Italian oil painting on paperboard, After Fishing, by Ausonio Tanda. Based on the deconvolved terahertz data, the stratigraphy of the painting including the paint layers is reconstructed and subsurface features are clearly revealed, demonstrating that terahertz frequency-wavelet deconvolution can be an effective tool to characterize stratified systems with optically thin layers.

Terahertz time-domain imaging (THz-TDI) and spectral-domain optical coherence tomography (SD-OCT) are two techniques capable of providing 3D datasets from which depth profiles and cross-sectional images of an object can be derived. They are novel photonics technologies of particular relevance to the field of heritage science, for which the comprehension of the stratigraphic structure of a cultural heritage object may help in the understanding of its artistic technology and state of preservation. The differences in imaging depth, field of view, and axial/lateral resolutions of the two imaging techniques provide different but complementary information of the same scene. Through the use of multimodal image fusion, the user will benefit from access to a detailed comparison of the information content of the two different datasets and images. To carry this out, we have developed a first data processing chain with the aim of representing THz-TDI and SD-OCT cross-sectional images in a unique image grid and space, in which the different datasets are dimensionally consistent.

This work presents the results of the evaluation of two Art Nouveau glass windows from the Casa-Museu Dr. Anastácio Gonçalves (Lisbon, Portugal) with IR-thermography during the summer solstice. According to the measurements, the surface temperature of glass depended on the outdoor environmental temperature and, mainly, on the direct solar radiation. Colored glasses presented a higher surface temperature due to the absorption of their chromophores at near-IR wavelengths. Enamels and grisailles showed higher surface temperatures than their support glasses due to both their chemical composition and color. The protective glazing, with small slits in one of the window panels, induced a hot-air pocket in its upper part due to the insufficient ventilation.