The contemporary medina of Tunis is intimately connected to the various urban development stages of the city at large. Despite its UNESCO status and undisputable attractions, the medina is peripheral to Tunisian tourism development. Yet its maze of streets is walked on a daily basis by numerous tourists, who bring flair, choreographies and rhythms which also constitute the medina. While there are a growing number of studies focusing on tourists’ movements, using technologies that allow for accurate mapping of timespace trajectories, I argue that we have much to learn from the embodied ways in which tourists move in an unknown terrain. Inspired by Lefebvre’s rhythmanalysis, this paper explores tourists’ rhythms and modes of walking, including their performances, body languages, stops and advances, and gaze interactions. Drawing on a combination of mobile methodologies, interviews and online comments, I argue that tourists engage in many different walking rhythms, which shift quickly according to the situation. It is the complex manner in which tourist bodies, rhythms and urban forms intersect within the contemporary city that contributes to the construction of the city itself.

This paper focuses on the interpretation of Fort Jesus, Kenya, a late sixteenth century Portuguese-built fort, and attempts to discuss its significance in the region and in the country, and its role within the context of recent tourism development in Kenya. By exploring the ways in which a sample of local tourist guides engage with tourists and with the heritage and memory that Fort Jesus represents in this coastal region, some of the challenges facing tourism development in post-colonial Kenya are analysed. While the study reveals that the guides are not a homogeneous group, one of the shared positions is their resentfulness towards the inability of the coastal region to control and benefit from tourism. At the same time, despite some of the guides revealing to be skilful cultural mediators, the vast majority construct their mediation upon a predominantly colonial knowledge of the Fort.

The construction of memory in landscapes is a complex process which is embedded in webs of political and economic power. Often history is twisted and bended to better serve the current interests of the hegemonic forces at play. In this paper I attempt to explore how memory is at work in three different sites in Santiago Island, Cape Verde: an old fort and a historical town; a concentration camp; and a global resort. The three sites participate in the erasure, maintenance and creation of memory in different ways, forging new forms of collective identity, which are embedded in local as well as global forces and processes. Through an analysis of the changes taking place on these sites, this paper suggests that while the country lives on foreign aid and attempts to embrace neo-liberal practices, it fails not only to provide basic services to the population but to engage critically with its history and geography.