Medium size HPC clusters play an important role in the HPC landscape in that they provide both the training environment for system scalability and a flexible production field for a large class of numerical problems. In this poster we present CRESCO4, the latest medium size HPC cluster purchased by ENEA, in operation since few months. CRESCO4 is part of a family of HPC systems, all integrated within ENEAGRID, a large infrastructure for cloud computing, which includes all the computational facilities installed at several ENEA sites in Italy.

Cultural heritage assets are continuously exposed to risks and hazards. With the main aim to assess deterioration and improve conservation methods, the scientific community has proposed a variety of tools for the early identification of changes in heritage. Multidisciplinary approaches are common in heritage monitoring and conservation. This paper investigates the potential of change detection algorithms developed in remote sensing, and here applied at the monumental scale instead of the geo-spatial one. A monitoring methodology which integrates photogrammetry, 2D/3D change detection, and data interpretation is described and tested on the façade of the church of Stavros tou Missiricou (church of the Cross within the walls) in Nicosia, Cyprus.

The philosophical and theoretical foundations of the Theory of Restoration, envisioned by Cesare Brandi in 1975, are established around clear and straightforward guidelines on what is ethically acceptable, and unacceptable, in conservation. Specifically, the Italian scholar advocates for the complete reversibility of restoration work and respect for the history of an artwork. Indeed, according to these concepts, all interventions should be fully reversible so to return the object to its initial conditions without any damage. Bearing in mind these assumptions, a detailed documentation of all the steps of the conservation process, and the possibility to retrieve them a posteriori, must be considered essential. This concept especially applies when dealing with paintings restoration characterized by fine and small details. In recent years, the tendency is to favour minimal invasive interventions ranging from consolidation actions, cleaning samples, and colours retouching. Materials change more or less conspicuously over time according to their consistency and the intensity of the changing factors. Icons do not make an exception to this rule. This process affects the icon’s whole structure: the support, the painting itself and the varnish coating. This paper investigates the performance of change detection algorithms, developed in the remote sensing domain, and, in the framework of this research applied at a microscale (paintings). Each phase of the restoration process is documented exploiting a multi-epoch image acquisition. A monitoring methodology coupled with photogrammetry and 3D shape analysis is tested and described. It is anticipated that the proposed innovative use of change detection techniques can be applied to different kinds of painted surfaces. An icon, today preserved at the Byzantine Museum Makarios III Foundation in Nicosia and restored by the Department of Antiquities of Cyprus labs, has been used as a case study.

Recent improvements in 3D laser scanning technology allow to reliably and accurately digitize the external shape of many physical objects with high definition and accuracy. Moreover the resulting 3D models can be used for digital documentation as well as to perform different analysis such as measurements, conservation monitoring, feature extractions and possibly virtual restoration.In recent years, the number of range scanners has been growing rapidly and surface reconstruction algorithms have been developing by the open-source community. This diffusion among cultural heritage institutions gives the scientific society a wide range of 3D hardware capturing devices and software solutions.Many researchers, however, do not have access to scanning facilities or dense polygonal models. In this paper is presented the whole pipeline from the creation of a high resolution 3D model of an ‘Acquasantiera’ to its Remote Rendering on the world wide web without any loss of details or accuracy