Exceptional circumstances in the city of Granada due to the COVID-19 lockdown have provided the opportunity to characterise the impact of humans on its urban acoustic climate. Traditional environmental noise management and urban sound planning usually take into account noise sources in the city, such as industrial activities or road traffic noise, in model estimations, as well as in empirical research. But trying to isolate human impact by itself, human activity including social activity, walking, talking or just going around the city, has always been a difficult or even impossible task. The COVID-19 lockdown measures have provided the opportunity to study urban climate as never before, affected just by natural or animal noise sources. Previous soundscape research at some iconic sites in the city of Granada carried out in 2019 before the lockdown and a special measuring campaign carried out at the same locations during the lockdown in 2020 offered valuable information on sound levels and local characteristics in order to carry out this comparison. Results show a great change in environmental noise levels that is interesting not only because of its magnitude, but also for its implications, especially at those sites where social human activity was an identifying characteristic. Natural or animal sounds became surprisingly evident at some study sites, especially where road traffic noise dramatically decreased, leading to significantly lower background noise levels. Important spectral changes are observed before and during the lockdown, suggesting a shift from anthropic to animal sources in the acoustic environment.

Soundscape assessments by citizens are starting to emerge as a common practice, normally carried out in context by means of soundwalks along selected paths with volunteers. However, when such assessments are carried out, either in situ or in laboratory experiments, visually impaired citizens are not usually involved. To address this question, three soundwalks were carried out in 2020 in the city of Granada, in southern Spain, with the participation of visually impaired people. In this paper, we present the lessons learnt from this research with respect to the methodology issues that have to do with soundwalking and the surveying procedures when people with limited vison are participating, the assessment results, and a comparison with a soundscape evaluation carried out in 2019 without the collaboration of visually impaired people. The results of this preliminary campaign highlight that: (1) Adapting soundscape assessment protocols from standards for visually impaired people is a methodological challenge that requires research attention; (2) Some of the different patterns in the assessment of the soundscape pleasantness between visually impaired and nonvisually impaired participants emerged; (3) The perception of quietness may differ for visually impaired people when orientation and identification are factors that play a role in the acoustic environment evaluation.

This paper analyses the acoustic behaviour of the Palace of Charles V from a room acoustics perspective but also ponders the uniqueness of the space and its ability to engage and enhance the audience experience. The Palace of Charles V is a relevant part of the historical heritage of Granada. It has an architectural but also an acoustic uniqueness that deserves research. A measurement campaign was made to calculate parameters such as T30, IACC, C₈₀ or Gm, and to explain the behaviour of the Palace. The BQI is quite high, but the late part of the impulse response (t > 80 ms) has strong unwanted reflections causing low clarity (C₈₀) and listener envelopment (LEV). Nevertheless, the Palace is a successful concert venue with good feedback from musicians and the audience.

The city of Granada is experimenting a big urban transformation, attending national and international commitments on clean air, energy efficiency and savings linked to greenhouse gases reduction strategies and sustainable development action plans. This situation constitutes a good scenario for new noise control approaches that take into account the sound variable and citizens empowering in urban design, such as the soundscape assessment of urban territory. In this way, soundscape tools have been used in Granada as a complementary method for environmental noise characterisation where traditional noise control techniques are difficult to be carried out or give limited results. After 2016 strategic noise map and in the preparation of the new noise action plan, the city came across a great acoustic challenge in a new area located outskirts characterised by growing urbanisation, still under development, the greatest legal protection because of sensitive teaching and hospital buildings and the greatest noise exposure from nearby ring-way supporting heavy traffic flow. As quiet urban areas are not characterised by the absence of noise but for the presence of the right noise, this research intended to provide the local administration with results and proposals to transform this conflict area in a pleasant or quiet urban place. Main results came from important and significative differences in morning and evening characterisation, as great differences appear in soundscape assessment over the day and along the soundwalk path, indicating the importance of time and local issues to adequately characterised citizens perception to be considered by administration in the development of strategies and effective noise control actions.