Numerical reconstruction of digital holograms relies on a precise knowledge of the original object position. However, there are a number of relevant applications where this parameter is not known in advance and an efficient autofocusing method is required. This paper addresses the problem of finding optimal focusing methods for use in reconstruction of digital holograms of macroscopic amplitude and phase objects, using digital in-line phase-shifting holography in transmission mode. Fifteen autofocus measures, including spatial-, spectral-, and sparsity-based methods, were evaluated for both synthetic and experimental holograms. The Fresnel transform and the angular spectrum reconstruction methods were compared. Evaluation criteria included unimodality, accuracy, resolution, and computational cost. Autofocusing under angular spectrum propagation tends to perform better with respect to accuracy and unimodality criteria. Phase objects are, generally, more difficult to focus than amplitude objects. The normalized variance, the standard correlation, and the Tenenbaum gradient are the most reliable spatial-based metrics, combining computational efficiency with good accuracy and resolution. A good trade-off between focus performance and computational cost was found for the Fresnelet sparsity method.

The effect of scene dimensionality on colour constancy was tested with real scenes and objects. Observers viewed a three-dimensional (3-D) scene, or its two-dimensional (2-D) planar projection, through a large beam-splitter that projected the virtual image of a real test object (a cube or its 2-D projection) so that it appeared part of the scene. Test object and scene could be illuminated independently with high chromatic precision. In each trial, the illuminance of the scene changed abruptly from 25 000 K to 6700 K and the illuminant of the test object changed either consistently or inconsistently with it by a variable quantifiable amount. Observers had to decide whether the test object underwent a change in its materials. The extent of constancy obtained in the experiment was not influenced by scene dimensionality and varied significantly with the colour of the test object. These results suggest that color constancy in the conditions tested here may be determined by local spectral quantities.