This paper presents a new application of photogrammetric techniques for protecting cultural heritage. The accuracy of the method and the fact that it can be used to carry out different tests without contact between the sample and the instruments can make this technique very useful for authenticating and cataloging artworks. The application focuses on the field of pictorial artworks, and wooden panel paintings in particular. In these works, the orography formed by the brushstrokes can be easily digitalized using a photogrammetric technique, called Structured Light System, with submillimeter accuracy. Thus, some of the physical characteristics of the brushstrokes, like minimum and maximum heights or slopes become a fingerprint of the painting. We explain in detail the general principles of the Structured Light System Technique and the specific characteristics of the commercial set-up used in this work. Some experiments are carried out on a sample painted by us to check the accuracy limits of the technique and to propose some tests that can help to stablish a methodology for authentication purposes. Finally, some preliminary results obtained on a real pictorial artwork are presented, providing geometrical information of its metric features as an example of the possibilities of this application.

In this work, we present an integrated photogrammetric-acoustic technique that, together with the construction of a scaled wind tunnel, allows us to experimentally analyze the permeability behavior of a new type of acoustic screen based on a material called sonic crystal. Acoustic screens are devices used to reduce noise, mostly due to communication infrastructures, in its transmission phase from the source to the receiver. The main constructive difference between these new screens and the classic ones is that the first ones are formed by arrays of acoustic scatterers while the second ones are formed by continuous walls. This implies that, due to their geometry, screens based on sonic crystals are permeable to wind and water, unlike the classic ones. This fact may allow the use of these new screens in sandy soils, where sand would pass through the screen, avoiding the formation of sand dunes that are formed in classic screens and drastically reducing their acoustic performance. In this work, the movement of the sand and the resulting acoustic attenuation in these new screens are analyzed qualitatively, comparing the results with those obtained with the classic ones, and obtaining interesting results from the acoustic point of view.

The conservation and authentication of pictorial artworks is considered an important part of the preservation of the cultural heritage. The use of non-destructive testing allows the obtaining of accurate information about the state of pictorial artworks, without direct contact between the equipment used and the sample. In particular, the use of this kind of technology is recommended in obtaining three-dimensional surface digital models, as it provides high-resolution information that constitutes a kind of fingerprint of the samples. In the case of pictorial artworks with some kind of surface relief, one of the most useful technologies is structured light (SL). In this paper the minimum difference in height that can be distinguished with this technology is estimated, establishing experimentally both the error committed in the measurement process and the precision in the use of this technology. The study, focused on the case of oil paintings on canvas, has been developed using a low-cost system to ensure its wide use.