Guy Madison

Prof. Guy Madison

Umeå University
orcid

Research Focus & Metrics

Academic Career Length

28Years (1999-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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1 January 2009 in Cortex
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Journal Article
Closed access
BMBjorn H. Merker
Bjorn H. Merker
GMGuy Madison
Guy Madison
PEPatricia Eckerdal
Patricia Eckerdal

1 January 2012 in Personality and Individual Differences
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Journal Article
Closed access
FUFredrik Ullén
Fredrik Ullén
ÖMÖrjan de Manzano
Örjan de Manzano
RARita Almeida
Rita Almeida
PMPatrik K.E. Magnusson
Patrik K.E. Magnusson
NPNancy L. Pedersen
Nancy L. Pedersen
GMGuy Madison
Guy Madison

30 July 2014 in Psychological Science
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Journal Article
Closed access
MMMiriam Anna Mosing
Miriam Anna Mosing
GMGuy Madison
Guy Madison
NPNancy L. Pedersen
Nancy L. Pedersen
RKRalf Kuja-Halkola
Ralf Kuja-Halkola
FUFredrik Ullén
Fredrik Ullén
The relative importance of nature and nurture for various forms of expertise has been intensely debated. Music proficiency is viewed as a general model for expertise, and associations between deliberate practice and music proficiency have been interpreted as supporting the prevailing idea that long-term deliberate practice inevitably results in increased music ability. Here, we examined the associations ( rs = .18–.36) between music practice and music ability (rhythm, melody, and pitch discrimination) in 10,500 Swedish twins. We found that music practice was substantially heritable (40%−70%). Associations between music practice and music ability were predominantly genetic, and, contrary to the causal hypothesis, nonshared environmental influences did not contribute. There was no difference in ability within monozygotic twin pairs differing in their amount of practice, so that when genetic predisposition was controlled for, more practice was no longer associated with better music skills. These findings suggest that music practice may not causally influence music ability and that genetic variation among individuals affects both ability and inclination to practice.

1 December 2006 in Music Perception: An Interdisciplinary Journal
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Journal Article
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GMGuy Madison
Guy Madison
There is a quality of music that makes people tap their feet, rock their head, and get up and dance. The consistency of this experience among listeners was examined, in terms of differences in ratings across 64 music examples taken from commercially available recordings. Results show that ratings of groove, operationally defined as “wanting to move some part of the body in relation to some aspect of the sound pattern,” exhibited considerable interindividual consistency. Covariance patterns among the 14 rated words indicated four prominent factors, which could be labeled regular-irregular, groove, having swing, and flowing. Considering the wide range of music examples used, these factors are interpreted as reflecting psychological dimensions independent of musical genre and style.

1 January 2011 in Journal of Experimental Psychology: Human Perception and Performance
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Journal Article
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GMGuy Madison
Guy Madison
FGFabien Gouyon
Fabien Gouyon
FUFredrik Ullén
Fredrik Ullén
KHKalle Hörnström
Kalle Hörnström
Groove is often described as the experience of music that makes people tap their feet and want to dance. A high degree of consistency in ratings of groove across listeners indicates that physical properties of the sound signal contribute to groove (Madison, 2006). Here, correlations were assessed between listeners' ratings and a number of quantitative descriptors of rhythmic properties for one hundred music examples from five distinct traditional music genres. Groove was related to several different rhythmic properties, some of which were genre-specific and some of which were general across genres. Two descriptors corresponding to the density of events between beats and the salience of the beat, respectively, were strongly correlated with groove across domains. In contrast, systematic deviations from strict positions on the metrical grid, so-called microtiming, did not play any significant role. The results are discussed from a functional perspective of rhythmic music to enable and facilitate entrainment and precise synchronization among individuals.

15 November 2012 in New England Journal of Medicine
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Journal Article
Closed access
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RNRobert B. Nadelman
Robert B. Nadelman
KHKlára Hanincová
Klára Hanincová
PMPriyanka Mukherjee
Priyanka Mukherjee
DLDionysios Liveris
Dionysios Liveris
JNJohn Nowakowski
John Nowakowski
GWGary P. Wormser
Gary P. Wormser
Erythema migrans is the most common manifestation of Lyme disease. Recurrences are not uncommon, and although they are usually attributed to reinfection rather than relapse of the original infection, this remains somewhat controversial. We used molecular typing of Borrelia burgdorferi isolates obtained from patients with culture-confirmed episodes of erythema migrans to distinguish between relapse and reinfection. We determined the genotype of the gene encoding outer-surface protein C (ospC) of B. burgdorferi strains detected in cultures of skin or blood specimens obtained from patients with consecutive episodes of erythema migrans. After polymerase-chain-reaction amplification, ospC genotyping was performed by means of reverse line-blot analysis or DNA sequencing of the nearly full-length gene. Most strains were further analyzed by determining the genotype according to the 16S–23S ribosomal RNA intergenic spacer type, multilocus sequence typing, or both. Patients received standard courses of antibiotics for erythema migrans. B. burgdorferi isolates obtained from 17 patients who received a diagnosis of erythema migrans between 1991 and 2011 and who had 22 paired episodes of this lesion (initial and second episodes) were available for testing. The ospC genotype was found to be different at each initial and second episode. Apparently identical genotypes were identified on more than one occasion in only one patient, at the first and third episodes, 5 years apart, but different genotypes were identified at the second and fourth episodes. None of the 22 paired consecutive episodes of erythema migrans were associated with the same strain of B. burgdorferi on culture. Our data show that repeat episodes of erythema migrans in appropriately treated patients were due to reinfection and not relapse. (Funded by the National Institutes of Health and the William and Sylvia Silberstein Foundation.)