Yijian Cao

Dr. Yijian Cao


Research Focus & Metrics

Academic Career Length

10Years (2017-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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17 November 2024 in Advances in Colloid and Interface Science
Verified
Journal Article
Closed access
HCHongyi Chen
Hongyi Chen
YCYijian Cao
Yijian Cao
CWCong Wang
Cong Wang
FTFude Tie
Fude Tie
WDWenqiang Dong
Wenqiang Dong
PBPiero Baglioni
Piero Baglioni

4 April 2020 in Coatings
Verified
Journal Article
Open access
PDF file
YCYijian Cao
Yijian Cao
Antonella SalviniAntonella Salvini
Antonella Salvini
Mara CamaitiMara Camaiti
Mara Camaiti
The development of innovative materials is one of the most important focus areas in heritage conservation research. Eligible materials can not only protect the physical and chemical integrity of artworks but also preserve their artistic and aesthetic features. Recently, as one of the hot research topics in materials science, biomimetic superhydrophobic materials have gradually attracted the attention of conservation scientists due to their unique properties. In fact, ultra-repellent materials are particularly suitable for hydrophobization treatments on outdoor artworks. Owing to their excellent hydrophobicity, superhydrophobic materials can effectively prevent the absorption and penetration of liquid water as well as the condensation of water vapor, thus greatly relieving water-induced decay phenomena. Moreover, in the presence of liquid water, the superhydrophobic surfaces equipped with a self-cleaning property can clean the dirt and dust deposited spontaneously, thereby restoring the artistic features simultaneously. In the present paper, besides the basic principles of wetting on solid surfaces, materials, and methods reported for preparing bioinspired ultra-repellent materials, the recently proposed materials for art conservation are also introduced and critically reviewed, along with a discussion on the droplet impact and durability of the artificial superhydrophobic surfaces. Lastly, the current status and the problems encountered in practical application are also pointed out, and the focus of future research is presented as well.

1 October 2017 in Progress in Organic Coatings
Verified
Journal Article
Closed access
YCYijian Cao
Yijian Cao
Antonella SalviniAntonella Salvini
Antonella Salvini
Mara CamaitiMara Camaiti
Mara Camaiti

1 September 2018 in Materials & Design
Verified
Journal Article
Closed access
YCYijian Cao
Yijian Cao
ASAntonella Salvini
Antonella Salvini
Mara CamaitiMara Camaiti
Mara Camaiti

13 February 2025 in Construction and Building Materials
Verified
Journal Article
Closed access
YCYijian Cao
Yijian Cao
CWCong Wang
Cong Wang
FTFude Tie
Fude Tie
WDWenqiang Dong
Wenqiang Dong

23 March 2020 in Preprints.org
Verified
Preprint
Open access
PDF file
YCYijian Cao
Yijian Cao
Antonella SalviniAntonella Salvini
Antonella Salvini
Mara CamaitiMara Camaiti
Mara Camaiti
The development of innovative materials is one of the most important focuses of research in heritage conservation. Eligible materials can not only protect the physical and chemical integrity of artworks, but also preserve their artistic and aesthetic features. Recently, as one of the hot research topics in materials science, biomimetic superhydrophobic materials have gradually attracted the attention of conservation scientists due to their unique properties. In fact, ultra-repellent materials are particularly suitable for hydrophobization treatments on outdoor artworks. Owing to their excellent hydrophobicity, superhydrophobic materials can effectively prevent the absorption, penetration of liquid water as well as the condensation of water vapor, thus greatly relieving water-induced decay phenomena. Moreover, in presence of liquid water, the superhydrophobic surfaces equipped with self-cleaning property can clean the dirt, dust deposited spontaneously, thereby restoring the artistic features simultaneously. In the present paper, besides the basic principles of wetting on solid surfaces, materials and methods reported for preparing bioinspired ultra-repellent materials, the recently proposed materials for art conservation are also introduced and critically reviewed. Lastly, the current status and the problems encountered in practical application are also pointed out, and the focus of future research is prospected as well.