The neural correlates of intentional emotion transfer by the music performer are not well investigated as the present-day research mainly focuses on the assessment of emotions evoked by music. In this study, we aim to determine whether EEG connectivity patterns can reflect differences in information exchange during emotional playing. The EEG data were recorded while subjects were performing a simple piano score with contrasting emotional intentions and evaluated the subjectively experienced success of emotion transfer. The brain connectivity patterns were assessed from the EEG data using the Granger Causality approach. The effective connectivity was analyzed in different frequency bands—delta, theta, alpha, beta, and gamma. The features that (1) were able to discriminate between the neutral baseline and the emotional playing and (2) were shared across conditions, were used for further comparison. The low frequency bands—delta, theta, alpha—showed a limited number of connections (4 to 6) contributing to the discrimination between the emotional playing conditions. In contrast, a dense pattern of connections between regions that was able to discriminate between conditions (30 to 38) was observed in beta and gamma frequency ranges. The current study demonstrates that EEG-based connectivity in beta and gamma frequency ranges can effectively reflect the state of the networks involved in the emotional transfer through musical performance, whereas utility of the low frequency bands (delta, theta, alpha) remains questionable.

A Brain-Computer Music Interface (BCMI) system may be designed to harness electroencephalography (EEG) signals for control over musical outputs in the context of emotionally expressive performance. To develop a real-time BCMI system, accurate and computationally efficient emotional biomarkers should first be identified. In the current study, we evaluated the ability of various features to discriminate between emotions expressed during music performance with the aim of developing a BCMI system. EEG data was recorded while subjects performed simple piano music with contrasting emotional cues and rated their success in communicating the intended emotion. Power spectra and connectivity features (Magnitude Square Coherence (MSC) and Granger Causality (GC)) were extracted from the signals. Two different approaches of feature selection were used to assess the contribution of neutral baselines in detection accuracies; 1- utilizing the baselines to normalize the features, 2- not taking them into account (non-normalized features). Finally, the Support Vector Machine (SVM) has been used to evaluate and compare the capability of various features for emotion detection. Best detection accuracies were obtained from the non-normalized MSC-based features equal to 85.57 ± 2.34, 84.93 ± 1.67, and 87.16 ± 0.55 for arousal, valence, and emotional conditions respectively, while the power-based features had the lowest accuracies. Both connectivity features show acceptable accuracy while requiring short processing time and thus are potential candidates for the development of a real-time BCMI system.