This review paper offers a summary of historical techniques and materials used to produce plaster casts and to treat their surfaces, as found in the historical literature. It reviews a selection of manuals, treatises, and recipe books on the art of the cast makers as well as a selection of patents related to the manufacturing of casts and the coating of their surfaces. The introduction to the review shows how relevant archival, historical, and technical investigation demonstrates that nineteenth century replicas are works of cultural significance in their own right, by means of a synthesis of background information. This paper also offers a brief introduction to plaster moulding and casting as well as a summary of historical recipes on how to treat the surfaces of plaster casts to change the surface properties or their appearance. This review aims therefore to provide a summary of materials used by the nineteenth-century plasterer, and technical information for the use of conservators, researchers, and curators who engage in the care and study of historical plaster casts. Examples from the Victoria and Albert Museum's collection support the information found in the historical literature.

Spectrally-resolved imaging provides a spectrum for each pixel of an image that, in the mid-infrared, can enable its chemical composition to be mapped by exploiting the correlation between spectroscopic features and specific molecular groups. The compatibility of Fourier-transform interferometry with full-field imaging makes it the spectroscopic method of choice, but Nyquist-limited fringe sampling restricts the increments of the interferometer arm length to no more than a few microns, making the acquisition time-consuming. Here, we demonstrate a compressive hyperspectral imaging strategy that combines non-uniform sampling and a smoothness-promoting prior to acquire data at 15% of the Nyquist rate, providing a significant acquisition-rate improvement over state-of-the-art techniques. By illuminating test objects with a sequence of suitably designed light spectra, we demonstrate compressive hyperspectral imaging across the 700–1400 cm^-1 region in transmission mode. A post-processing analysis of the resulting hyperspectral images shows the potential of the method for efficient non-destructive classification of different materials on painted cultural heritage.

A multi-analytical study was designed to characterise historical coated plaster surfaces. The method was applied to investigate the surface coatings of the nineteenth-century plaster cast of the tombstone of the Presbyter Bruno that belongs to the Victoria and Albert Museum collection. At first, selected samples of the object were examined with Visible Light Reflectance and Ultra-Violet Fluorescence Optical Microscopy (VLR- and UVf-OM respectively) and Scanning Electron Microscopy (SEM) demonstrating a consistent stratigraphy featuring a bulk, an interface and an uppermost layer. The latter layer appeared to consist of an aged coating and dirt. Overpainted and repaired areas of the object generated samples that had additional layers on top of the aforementioned stratigraphy. A layer that seemed to be an additional surface varnish or a coating that had not been absorbed to the bulk has been observed in a couple of samples. Elemental characterization was carried out with energy dispersive X-ray spectroscopy (EDS) and further analyses were performed with X-ray diffraction (XRD) and Fourier-transform infrared (FT-IR) spectroscopy with focal plane array (FPA) imaging which confirmed that the bulk of the object is made of gypsum plaster containing mostly silicate and carbonate inclusions. Gas chromatography/mass spectrometry (GC/MS) and pyrolysis-GC/MS with extraction methods based on n-propanol followed by pentafluoropropionic anhydride (PFPA), tetramethylammonium hydroxide (TMAH) and 3-trifluoromethylphenyltrimethylammonium hydroxide (m-TFPTAH) were performed to detect organic media. The results suggest that the organic medium used for the surface coating is a diterpenic resin that contained silicon, aluminium and traces of other inorganic elements. The organic medium of overpainted areas was based on alkyd resins and the in-paints were characterised as a blend of silicon and barium at varied concentrations. This multi-analytical approach can generate a better understanding of manufacturing, component materials and conservation issues of coated plaster objects.

Imaging spectroscopy has been developed in the last two decades in the visible and infrared spectral range for detecting pigments and binders on paintings. The near-infrared (NIR) region has been proved effective for the discrimination of lipids and proteinaceous binders. More recently, the mid-infrared (MIR) range has also been tested on paintings. Reflection imaging prototypes already developed could be further optimized for cultural heritage analysis, for example by: enhancing the instrument configuration and performance; adopting compressive strategies to increase data processing speeds; using data validation to confirm that the processed image reflects the composition of a painted surface; and lowering price to enable more cost-effective analysis of large surface areas. Here, we demonstrate a novel hyperspectral Fourier transform spectrometer (HS FTS), which enables an imaging strategy that provides a significant improvement in acquisition rate compared to other state-of-the-art techniques. We demonstrate hyperspectral imaging across the 1400–700 cm⁻¹region in reflection mode with test samples and the painting ‘Uplands in Lorne’ (Acc. No.: GLAHA43427) by D.Y. Cameron (1865–1945). A post-processing analysis of the resulting hyperspectral images, after validation of reference samples by conventional Fourier transform infrared spectroscopy, shows the potential of the method for efficient non-destructive classification of different materials found on painted cultural heritage. This research demonstrates that the HS FTS is a convenient and compact tool for non-invasive analysis of painted cultural heritage objects at spatio-spectral acquisition rates potentially higher than current FTS imaging techniques. Ultimately, when combined with fast graphics processing unit-based reconstruction, the HS FTS may enable fast, large area imaging.Graphical abstract

Four nineteenth-century casts of the decoration on the north side of the exterior of the apse of the Notre-Dame Cathedral in Paris are held in the plaster casts collection at the Victoria and Albert Museum in London. The casts were manufactured by two different nineteenth-century workshops, one run by Jean Pouzadoux and the other by Auguste Malzieux. After an assessment of the condition of the casts, a scientific analysis allowed the characterization of the manufacturing materials and subsequent conservation treatments aimed at ensuring the stability of the casts and removing dirt and grime from the casts’ surfaces. Optical microscopy of the samples taken from the casts allowed the stratigraphy to be studied, which largely consisted of gypsum plaster and a coating layer (oxidized diterpenic resin or shellac) containing silicon and aluminium partially diffused in the porous substrate. These materials were identified by a range of techniques, including X-ray diffraction, scanning electron microscope–energy dispersive X-ray spectroscopy, Fourier transform infrared spectroscopy, and gas chromatography/mass spectrometry. The conservation works returned stability to the panels for redisplay in the galleries and achieved a closer comparative study between the two workshops. The two sets of panels showed numerous differences in manufacturing processes that corresponded to their observed deterioration.

This paper explores the cleaning efficacy of polyethylene-supported 15-min photo-crosslinked poly (acrylamide-co-benzophenone) surface-attached gels (SAGs) on gypsum plaster surface models inspired by nineteenth-century casts. Cleaning tests were performed on plaster surface models with and without organic and inorganic coatings, which had been exposed to accelerated ageing by heat, humidity, and light after artificial soiling. The specific types of SAG systems were selected based on their water loading and dehydration capacities. The SAGs were loaded with customized solutions and applied on the plaster models for one minute. Cleaning efficacy was evaluated with visible reflectance, UV fluorescence photography, scanning electron microscopy, colorimetry, UV/Vis spectrophotometry, glossimetry, high resolution 3D microscopy, attenuated total reflection Fourier transform infrared spectroscopy and 2D Fourier transform infrared imaging. The SAGs provided fast and minimal wetting of the substrates, prevented excessive liquid spreading and allowed the effective liquid contact with the soiled gypsum plaster surface. A striking removal of soils from the gypsum plaster surface models was observed, which suggests convenient application of the SAG systems for the cleaning of historical plaster objects.