In this study, we examined the perception and understanding of spatial volumes within immersive and non-immersive virtual environments by comparison with representation using conventional media. We examined the relative effectiveness of these conditions in enabling the translation to a tangible representation, through a series of design experiments. Students experienced, assessed, and analysed spatial relationships of volumes and spaces and subsequently constructed real models of these spaces. The goal of our study is to identify how designers perceive space in Virtual Environments (VEs). We explore issues of quality, accuracy and understanding of reconstructing architectural space and forms. By comparison of the same spatial performance task undertaken within a Head Mounted Display, screen-based and real 2D environment, we are able to draw some conclusions about spatial understanding in immersive VE activity.

The academic literature contains an increasing quantity of references to Smart Heritage. These references are at the intersection of the smart city and heritage disciplines and primarily within informative, interpretative, and governance applications. The literature indicates the future expansion of the Smart Heritage discourse into additional applications as researchers apply smart technology to more complex cultural environments. The Smart Heritage discourse signals an advancement in the literature beyond Digital Heritage and Virtual Heritage discourses as Smart Heritage pivots on the active curatorship of heritage experiences by automated and autonomous technologies, rather than technology as a passive digital tool for human-curated experiences. The article comprehensively reviews the emergent Smart Heritage discourse for the first time in the academic literature, and then offers a contemporary definition that considers the literature to date. The review and definition draw on literature across the contributing disciplines to understand the discourse’s development and current state. The article finds that Smart Heritage is an independent discourse that intertwines the autonomous and automatic capabilities and innovation of smart technologies with the contextual and subjective interpretation of the past. Smart Heritage is likely the future vanguard for research between the technology and heritage disciplines.

In 2009, Deakin University and the Chinese University of Hong Kong trailed the use of Web 2.0 technologies to enhance learning outcomes in a third-year architectural design studio that was modelled on the virtual design studios (VDSs) of the past decades. The studio developed the VDS further by integrating a social learning environment into the blended learning experience. The Web 2.0 VDS utilized the social networking site Ning.com, YouTube, Skype and various three-dimensional modelling, video and image processing, and chat software to deliver lectures, communicate learning goals, disseminate learning resources, submitting, providing feedback and comments to various design works, and assessing of students’ outcomes. This research centres on issues of learning and teaching associated with the development of a social network VDS.

Having a healthy built environment becomes increasingly important, especially under the effects of COVID-19. This paper intends to combine sustainable goals based on climate change with passive design principles to achieve a healthy built environment regarding the building performance of residential buildings. The Yuedao Residential Community in the Lingnan area was taken as an example for the research. Based on relevant standards of healthy buildings, the thermal, light, and acoustic environment requirements were determined. The methods of building performance simulation and on-site measurement were used to quantify the research object environments. Then, the outcomes were obtained based on these standards. As observed, the thermal environment’s adaptive thermal comfort level was level III. It was hot indoors, but the light and acoustic environments met the requirements. Building designs based on a built environment optimized by external shading systems aim to solve problems through building performance simulation and qualitative analysis. After optimization, the thermal environment improved. According to the literature review, this research focused on a healthy built environment with a sustainable passive design in terms of building performance. A research workflow was established that could be used for more practical research, with abundant research methods. The problems were solved to varying degrees, and the Lingnan architectural culture was preserved. Moreover, this research filled the gap in interactive research on healthy built environments with sustainable passive design regarding building performance.

Regarding laypeople’s active participation with artefacts in the early stage of urban design, there is a certain difference between conventional urban design process and participatory urban design process. The design artefacts used in the conventional urban design process do not allow laypeople to take part actively in the early stages of the design process. Similarly, in the participatory design process, the generated design ideas remain hidden in assumption due to the lack of associated information of the artefacts and the participants perform as individual actors. The research speculates that a virtual immersive participatory design instrument can reduce the gap, where the participants can act together as a unit to produce authentic design outcomes. An Immersive Virtual Environment (IVE) assisted design experiment set-up has developed for laypeople to engage in a shared and enhanced communicative platform. The article reports the procedure of developing the instrument and discusses them in terms of design communication, participation and expert’s role. It concludes with a reflection of how laypeople as co-designers can use IVE instruments to design their neighbourhood meaningfully.