New media are increasingly providing spaces and opportunities for media houses and activist groups engaged in socio-political reform in Africa. In Nigeria, social media are becoming platforms for communicating messages of resistance against oppressive political and exploitative economic power structures. This study analyzed Ogas at the top (OATT), an online puppetry series by Buni TV, as a way of examining new platforms and message content in Nigeria’s rapidly changing media sphere. Relying on semiotics and critical discourse analysis perspectives, the study analyzed select episodes of the series, to gauge how producers constructed powerful visual and linguistic messages to boldly satirize social injustices perpetrated by Nigeria’s political elites.

This contribution aims to explore the historical predecessors of the Five Percenter model of self-realization, as popularized by Hip Hop artists such as Supreme Team, Rakim Allah, Brand Nubian, Wu-Tang Clan, or Sunz of Man. As compared to frequent considerations of the phenomenon as a creative mythological background for a socio-political struggle, Five Percenter teachings shall be discussed as contemporary interpretations of historical models of self-realization in various philosophical, religious, and esoteric systems. By putting the coded system of the tenfold Supreme Mathematics as one of its core teachings in context with the Pythagorean Tetractys, an arrangement of ten points in four lines, the commonalities between the sequence and concepts attributed to the respective numbers will be demonstrated.

(2019). The Influence of the Bobo Shanti Mansion of Rastafari on Reggae Artistes. Caribbean Quarterly: Vol. 65, Removing Roadblocks, pp. 421-435.

This work highlights Christian scripture and ritual within a broader Middle Eastern and cross-cultural framework, drawing parallels with Judaic, Islamic, Egyptian, and other traditions in which sacred space and bodily form converge to form a symbolic and theological embodiment of divine revelation and perception. By pointing out the shared physiological symbolism in religious architecture, ritual, and scripture, it shifts the perspective towards an externalized and directly experienced spiritual dimension and offers a novel glimpse into aspects of embodied theology and divine perception. The demonstrated continuity of corporeal imagery, scriptural symbolism, and incorporation of the human form in ritual and architecture contributes to the areas of manuscript studies, comparative theology, and the history of religious thought in the Middle East. The focus on the body as a transhistorical and cross-cultural medium and site of divine manifestation presented in this study offers a model for multidisciplinary research on embodiment and cognition across the monotheistic religions and beyond. Using the methodological approach of symbolic and semantic analysis, the observed converging patterns are interpreted as examples of an embodied theology and hermeneutics that bridges metaphor and physiological processes. The work highlights the congruence between key scriptural terminology and symbolism, such as lamp, crystal, and niche, across cultures — illustrated by passages from the Qurʾanic Light Verse and Revelation — and suggests the possible theological implications of detailed neuro-anatomical knowledge. The results provide a new interdisciplinary framework for comparative theology that incorporates linguistic analysis, theological exegesis, neuroanatomy, and cognitive science. They underscore the centrality of corporeality as a neglected yet crucial theological category in the Abrahamic religions and emphasize the experiential dimension of revelation.

This article investigates Black American Islam as a semiotically mediated New Religious Movement (NRM), hybrid in nature and emerging from conditions of racialized governance, state surveillance, and social marginalization. Focused on the intersection of NRMs and political environments, the work engages in the reconstruction of a historical and conceptual lineage between Black Muslim movements and their mediated negotiation by Hip Hop artists. Grounded in Hall’s model of encoding/decoding and Hebdige’s subcultural theory, the transition of Islam-inspired semiotic markers from esoteric subcultural opacity to explicit orthodox adherence is demonstrated using historical analysis and close reading of symbolic expression in lyrics. The findings support a consideration of religious illegibility as aesthetic negotiation and strategy for political survival in circumstances of state scrutiny, with the subsequent consolidation of orthodox interpretations in Hip Hop signifying a recalibration of religious legibility in the securitized climate of a post-9/11 world. The contribution asserts that Black American Islam exemplifies NRMs’ instrumentalization of doctrinal elasticity and semiotic mediation in challenging socio-political surroundings, and its impact on negotiations of citizenship, political opposition, and religious identity.