Silvana Vasilca

Dr. Silvana Vasilca


Research Focus & Metrics

Academic Career Length

8Years (2019-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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1 June 2021 in Materials
Verified
Journal Article
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Maria StancaMaria Stanca
Maria Stanca
Carmen GaidauCarmen Gaidau
Carmen Gaidau
CACosmin-Andrei Alexe
Cosmin-Andrei Alexe
Ioana StanculescuIoana Stanculescu
Ioana Stanculescu
Silvana VasilcaSilvana Vasilca
Silvana Vasilca
CRConstantinescu Rodica Roxana
Constantinescu Rodica Roxana
This paper deals with original research in smart leather surface design for the development of multifunctional properties by using multi-walled carbon nanotube (MWCNT)-based nanocomposites. The conductive properties were demonstrated for both sheepskin and bovine leather surfaces for 0.5% MWCNTs in finishing nanocompositions with prospects for new material design intended for flexible electronics or multifunctional leathers. The photocatalytic properties of bovine leather surface treated with 0.5% MWCNTs were shown against an olive oil stain after visible light exposure and were attributed to reactive oxygen species generation and supported by contact angle measurements in dynamic conditions. The volatile organic compounds’ decomposition and antibacterial tests confirmed the self-cleaning experimental conclusions. Ultraviolet protection factor had excellent values for leather surfaces treated with multi-walled carbon nanotube and the fastness resistance tests showed improved performance compared to control samples. Scanning electron microscopy with energy dispersive X-ray (SEM-EDX), X-ray photoelectron spectroscopy (XPS), and attenuated total reflection-Fourier transform infrared (ATR-FTIR) spectroscopy analysis confirmed the influence of different leather surfaces on MWCNT dispersion with an effect on nanoparticle reactivity and efficiency in self-cleaning properties. Multifunctional leather surfaces were designed and demonstrated through MWCNT-based nanocomposite use under conventional finishing conditions.

9 January 2023 in Heritage
Verified
Journal Article
Open access
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IPIrina Petroviciu
Irina Petroviciu
ITIulia Claudia Teodorescu
Iulia Claudia Teodorescu
Silvana VasilcaSilvana Vasilca
Silvana Vasilca
FAFlorin Albu
Florin Albu
The traditional shirt (“ie”) is the most well-known element of Romanian anonymous textile art. Apart from aesthetic and utilitarian roles, it has strong symbolic significance, mainly through the colours used for decoration. Very recently, the traditional shirt with decoration over the shoulder (“ia cu altiță”) was introduced as a Romanian identity element as part of UNESCO heritage. Depending on the ethnographic area, the traditional shirt with decoration over the shoulder has acquired special expressive particularities over time. Particularly relevant is that from Valea Hârtibaciului, an area of Transylvania in the very centre of Romania. Although sober in appearance with large fields of white plain weave, it is discreetly decorated with elaborated embroidery on the sleeve bracelets, over the shoulders and neck. Even the colour range and decoration motifs remain unchanged in time, evolution in the materials used and a subtle transition from natural hues to more strident alternatives were observed in the late 19th and early 20th centuries. For the present study, samples were taken from representative objects in the collections of the ASTRA Museum, Sibiu and Ethnographical Museum, Brasov, documented as belonging to the area of Valea Hârtibaciului and dated in the museum archives as from the late 19th and early 20th century. The textile materials and the dyes used in the shirts’ embroidery were monitored. Fibre identification was made by optical microscopy and infrared spectroscopy (FTIR-ATR). Dye analysis was performed by liquid chromatography coupled with UV-Vis (diode array) detection, while some of the samples were also analysed by liquid chromatography coupled with mass spectrometric detection (LC-DAD-MS). Dyes were extracted from the fibres by acid hydrolysis. Identification was based on data collected on standards, dyes and dyed fibres. For the early synthetic dyes, a dedicated library of references was built, which includes information relative to the most relevant representatives used between 1850 and 1900, the ‘Helmut Schweppe list’. According to the study, in the last decades of the 19th century, natural dye sources such as dyer’s broom, madder, Mexican cochineal and indigoid dyes were gradually replaced by early synthetic dyes: fuchsine (1856), methyl violet (1861), synthetic alizarin (1871), brilliant green (1879), azo flavine 3R (1880), rhodamine B (1887) and others.

26 February 2023 in Microchemical Journal
Verified
Journal Article
Closed access
Silvana VasilcaSilvana Vasilca
Silvana Vasilca
IPIrina Petroviciu
Irina Petroviciu
DNDaniel Negut
Daniel Negut
MVMarian Virgolici
Marian Virgolici
FAFlorin Albu
Florin Albu
AMAndrei Medvedovici
Andrei Medvedovici

1 January 2024 in Nuclear Technology and Radiation Protection
Verified
Journal Article
Open access
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IPIulian Pojar
Iulian Pojar
SUSorin Ujeniuc
Sorin Ujeniuc
ICIrina Catianis
Irina Catianis
BABogdan Alexandrescu
Bogdan Alexandrescu
ASAlbert M. Scrieciu
Albert M. Scrieciu
RSRares Suvaila
Rares Suvaila
This paper focuses on the natural and anthropogenic radioactivity of sediment samples from key spots located in the Lower Danube area and the Danube Delta region. The idea of the study is to confirm that gamma spectrometry is an efficient method for geological sample characterization in terms of isotopic ratios and also for evaluating the impact of nuclear activi- ties, namely testing artificial contamination. This is a preliminary study meant to analyze the relevance of a database for reference sediments from the Danube River built via gamma ray spectrometry.

4 April 2024 in Polymers for Advanced Technologies
Verified
Journal Article
Closed access
Silvana VasilcaSilvana Vasilca
Silvana Vasilca
MVMarian Virgolici
Marian Virgolici
MCMihalis Cutrubinis
Mihalis Cutrubinis
VMValentin Moise
Valentin Moise
PMPaul Mereuta
Paul Mereuta
AMAndrei Medvedovici
Andrei Medvedovici

11 June 2024 in Heritage
Verified
Journal Article
Open access
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IPIrina Petroviciu
Irina Petroviciu
ECEmanuela Cernea
Emanuela Cernea
ITIolanda Turcu
Iolanda Turcu
Silvana VasilcaSilvana Vasilca
Silvana Vasilca
IBIna Vanden Berghe
Ina Vanden Berghe
The medieval textiles collection of the National Museum of Art of Romania (MNAR) has been in place since 1865 and nowadays preserves about 1000 medieval and pre-modern weavings and embroideries. These extremely valuable objects, dated between the 14th and the 19th centuries, are mainly religious embroidered garments and veils with special significance in the Byzantine li-turgy. Ecclesiastical embroideries of Byzantine tradition are characterized by a complex technique: metallic threads with a silk core, metallic wires and coloured silk threads are couched over padding on layers of silk and cellulosic supports so as to create relief through light reflection. The silk sup-ports and the sewing threads are coloured, mainly in red, blue, green and yellow hues, and analytical investigations of the dyes used in embroideries preserved in the MNAR, in the Putna and Sucevița Monasteries, have been released in previous studies by the corresponding author. The present work continues the approach with research into dyes in about 25 aëres and epitaphioi from the MNAR collection. Considering their privileged function in the liturgical ritual, these luxurious pieces embroidered with silver, gilded silver or coloured silk threads and decorated with pearls, sequins or semi-precious stones are the most faithful description of the stylistic and technological evolution of the art of post-Byzantine embroidery in the Romanian provinces. The data resulting from the present research will improve the knowledge regarding this topic. Dye analysis was performed by liquid chromatography with diode array detection, while fibres were characterized by infrared spectroscopy (with attenuated total reflectance) and optical microscopy. The biological sources identified—carminic acid-based dyes, redwood, dyer’s broom, weld, indigo-based dyes––will be discussed in correspondence with their use in the embroidery technique: support, lining and embroidery threads, together with other sources previously reported on Byzantine embroideries in Romanian collections, and in similar objects preserved at Holy Mount Athos.