Characterized by the ability to handle varying number of objects, tracking by detection framework becomes increasingly popular in multi-object tracking (MOT) problem. However, the tracking performance heavily depends on the object detector. Considering data association optimization and association affinity model are two key parts in MOT, an online multi-pedestrian tracking method is proposed to formulate a more effective association affinity model. It includes a two-step data association taking advantage of rank based dynamic motion affinity model. The rank based dynamic motion affinity model is used to estimate the object state and refine the trajectory for each of target to achieve the noiseless trajectory. Both these two strategies are beneficial to eliminate ambiguous detection responses during association. To fairly verify the proposed method, three public datasets are adopted. Both qualitative and quantitative experiment results demonstrate the superiorities of the proposed tracking algorithm in comparison with its counterparts.

Chinese paintings have great cultural and artistic significance and are known for their delicate lines and rich textures. Unfortunately, many ancient paintings have been damaged due to historical and natural factors. The deep learning methods that are successful in restoring natural images cannot be applied to the inpainting of ancient paintings. Thus, we propose a model named Edge-MSGAN for inpainting Chinese ancient paintings based on edge guidance and multi-scale residual blocks. The Edge-MSGAN utilizes edge images to direct the completion network in order to generate entire ancient paintings. It then applies the multi-branch color correction network to adjust the colors. Furthermore, the model uses multi-scale channel attention residual blocks to learn the semantic features of ancient paintings at various levels. At the same time, by using polarized self-attention, the model can improve its concentration on significant structures, edges, and details, which leads to paintings that possess clear lines and intricate details. Finally, we have created a dataset for ancient paintings inpainting, and have conducted experiments in order to evaluate the model’s performance. After comparing the proposed model with state-of-the-art models from qualitative and quantitative aspects, it was found that our model is better at inpainting the texture, edge, and color of ancient paintings. Therefore, our model achieved maximum PSNR and SSIM values of 34.7127 and 0.9280 respectively, and minimum MSE and LPIPS values of 0.0006 and 0.0495, respectively.

The gated recurrent unit (GRU) network can effectively capture temporal information for 1D signals, such as electroencephalography and event-related brain potential, and it has been widely used in the field of EEG emotion recognition. However, multi-domain features, including the spatial, frequency, and temporal features of EEG signals, contribute to emotion recognition, while GRUs show some limitations in capturing frequency–spatial features. Thus, we proposed a hybrid architecture of convolutional neural networks and GRUs (CGRU) to effectively capture the complementary temporal features and spatial–frequency features hidden in signal channels. In addition, to investigate the interactions among different brain regions during emotional information processing, we considered the functional connectivity relationship of the brain by introducing a phase-locking value to calculate the phase difference between the EEG channels to gain spatial information based on functional connectivity. Then, in the classification module, we incorporated attention constraints to address the issue of the uneven recognition contribution of EEG signal features. Finally, we conducted experiments on the DEAP and DREAMER databases. The results demonstrated that our model outperforms the other models with remarkable recognition accuracy of 99.51%, 99.60%, and 99.59% (58.67%, 65.74%, and 67.05%) on DEAP and 98.63%, 98.7%, and 98.71% (75.65%, 75.89%, and 71.71%) on DREAMER in a subject-dependent experiment (subject-independent experiment) for arousal, valence, and dominance.