Xiang He

Dr. Xiang He

Institute for cultural heritage and history of science & technology
orcid

Research Focus & Metrics

Academic Career Length

13Years (2014-Present)

(Calculated once Scilit publication data is synced: current year − year of first publication + 1)

Representative Publications

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1 February 2014 in Journal of Archaeological Science
Verified
Journal Article
Closed access
Xiang HeXiang He
Xiang He
MXMagen Xu
Magen Xu
HZHui Zhang
Hui Zhang
BZBingjian Zhang
Bingjian Zhang
BSBomin Su
Bomin Su

1 June 2019 in Archaeological and Anthropological Sciences
Verified
Journal Article
Closed access
PDF file
Xiang HeXiang He
Xiang He
JLJiamin Li
Jiamin Li
LTLiying Tao
Liying Tao
BZBingjian Zhang
Bingjian Zhang
ZFZaixuan Fan
Zaixuan Fan
BSBomin Su
Bomin Su

1 December 2018 in Progress in Organic Coatings
Verified
Journal Article
Closed access
Xiang HeXiang He
Xiang He
YWYupan Wang
Yupan Wang
BZBingjian Zhang
Bingjian Zhang

3 May 2025 in npj Heritage Science
Verified
Journal Article
Open access
PDF file
Xiang HeXiang He
Xiang He
WSWeijing Sun
Weijing Sun
WDWeisha Du
Weisha Du
DWDanyang Wang
Danyang Wang
HGHong Guo
Hong Guo
Ancient Chinese murals are precious cultural heritage and vulnerable to structural defects like cracking and delamination, which severely impact their preservation. To address early damage detection and deepen mechanistic insights, this study applies fluorescence stress-sensing technology using mechanochromic 1,1,2,2-tetrakis(4-nitrophenyl)ethene (TPE-4N) coatings on laboratory mock-ups. Under UV light, microcracks (tens of microns) were visualized, quantified, and monitored via photographic analysis. Environmental aging tests revealed distinct defect patterns including failure within pigment layer (cracking) and interlayer debonding (cleavage, cupping, and lifting) with crack propagation rates quantitatively analyzed. Elevated adhesive concentrations and humidity variations exacerbated defects and influenced pigment layer failure modes due to the combined effects of pigment layer strength, interlayer bonding, and stress. Furthermore, crack-propagation dynamics in most samples exhibited three characteristic phases: induction, stable development, and saturation, underscoring the necessity for fatigue monitoring in cultural relic conservation to prevent sudden failure.

29 December 2020 in Water
Verified
Journal Article
Open access
PDF file
Xiang HeXiang He
Xiang He
SWSijia Wang
Sijia Wang
BZBingjian Zhang
Bingjian Zhang
Dew is a common but important phenomenon. Though water is previously considered to be a threat to earthen heritage sites, artificial dew is showing potential in relic preservation. A model of dew prediction on earthen sites will be essential for developing preventive protection methods, but studies of dew formation processes on relics are limited. In this study, a two parameter model is proposed. It makes approximations according to the features of earthen heritage sites, assuming that a thin and steady air layer exists close to the air–solid interface. This semi-theoretical model was based on calculations of the mass transfer process in the air layer, and was validated by simulations of laboratory experiments (R > 0.9) as well as field experiments. Additionally, a numerical simulation, performed by the commercial software COMSOL, confirmed that the difference between fitting parameter δ and the thickness of assumed mass transfer field was not significant. This model will be helpful in developing automatic environmental control systems for stabilizing water and soluble salts, thus enhancing preventive protection of earthen heritage sites.

8 April 2022 in Minerals
Verified
Journal Article
Open access
PDF file
YZYi-Xuan Zheng
Yi-Xuan Zheng
Xiang HeXiang He
Xiang He
XLXin Li
Xin Li
KCKunlong Chen
Kunlong Chen
HGHong Guo
Hong Guo
XPXiao-Xuan Pan
Xiao-Xuan Pan
This paper presents scientific analyses of the wall paintings in Wudang Lamasery, which is located in the Baotou area of Inner Mongolia, China. Raman spectroscopy was used to analyze the pigments of the mural of the Lam rim Hall. The results show that vermilion, red lead, chrome yellow, emerald green and synthetic ultramarine were used. The existence of synthetic pigments provides a clue for the date the mural was painted.