McMahon Hall, an iconic Brutalist dormitory at the University of Washington, has become the site of an interdisciplinary experiment in cultural memory and machine-assisted storytelling. This article presents a method that combines remote sensing with AI-generated voices to produce a polyvocal narrative of architecture through the perspective of the building itself, its material (concrete), an architect, a journalist, and a bird. Drone photogrammetry and generated 3D models were combined with generative AI (text, image, and voice) to reconstruct the site digitally and imaginatively (AI-driven speculative narratives). Through speculative storytelling, the article and the project explore how cultural memory and perception of built heritage can be augmented by machines, offering plural perspectives that challenge singular historical narratives. The Introduction situates the work at the intersection of digital heritage documentation, AI storytelling, epistemology in machine learning, and spatial computing, emphasizing the perception of heritage through different actors. The Theoretical Framework draws on literature in photogrammetry for heritage preservation, polyvocal narrative, and knowledge frameworks of AI. The Materials and Methods detail the workflow: capturing McMahon Hall via UAV photogrammetry, producing a 3D model, and generating character-driven narratives with large language models and voice synthesis. The resulting multi-voiced narrative and its thematic insights are described. In the Discussion, the implications of this approach for architectural heritage interpretation are considered, including its capacity to amplify diverse voices and the risks of bias or hyperreality in AI-generated narratives. The study argues that this polyvocal, machine-augmented storytelling expands the toolkit of remote sensing and digital heritage by not only documenting the tangible form of the built environment but also speculating on its intangible cultural memory. The Conclusions reflect on how merging spatial computing techniques with AI narratives can support new modes of engagement with architecture, positioning this work as a building block toward richer human-machine co-created heritage experiences.

This paper explores the value of imperfections and curated decay in the conservation of architecture and public art as vehicles of cultural memory. While conventional heritage practice treats physical degradation as a threat, newer conservation ethics argue for embracing material impermanence within an aesthetics of care. We examine how acknowledging patina, weathering, and even structural decline can become an act of care, maintaining the “spirit” and authenticity of a place. The theoretical framework integrated the aesthetics of imperfection, including concepts like the Japanese wabi-sabi, which finds beauty in the incomplete and impermanent, critical heritage theory (which questions whose memories and values are preserved or excluded) and cultural memory studies (notably Nora’s notion of lieux de mémoire, where material sites become symbolic elements of communal memory). Methodologically, the article is grounded by two case-study video essays, Imperfections (Genoa) and Scars (Nicosia), as instruments of research, which provide visual analyses of decayed architectural environments. These examples illustrate how curated decay can transform abandoned buildings and war-scarred urban zones into powerful mnemonic devices, provoking reflection on history, identity and the ethics of preservation. Despite extensive theorisation of patina/age-value and curated decay, recent heritage debates offer limited operational criteria for distinguishing intentional curated decay from unmanaged neglect in lived urban conservation contexts. Drawing on ethics and aesthetics of care, this article asks if and how care can be operationalised into a decision framework for urban conservation and tests this framework through two selected buildings: Albergo dei Poveri (Genoa) and Home for Cooperation (Nicosia). The authors argue that caring for heritage does not always mean restoring it to an as-new state; curating ageing and traces of time can support remembrance, resilience, and reconciliation, enriching heritage’s role in future urban imaginaries.

Mid-century Brutalist buildings are frequently documented as objects of form, yet their contested reception and lived memory are less often addressed in architectural education. This article analyses the results of an interdisciplinary experiment centred on McMahon Hall during the summer school Rhetorical Machine + the Hyperlocal at the University of Washington. The method pairs UAV and close-range photogrammetry with a retrieval-augmented, persona-based generative AI workflow to produce a polyvocal narrative grounded in curated site-specific sources. The article argues that this combined method offers a transferable pedagogical model through which students can document both the measurable and intangible dimensions of the built environment while developing technical, interpretive, and ethical competencies.