Openness to Experience is a complex trait, the taxonomic structure of which has been widely debated. Previous research has provided greater clarity of its lower order structure by synthesizing facets across several scales related to Openness to Experience. In this study, we take a finer grained approach by investigating the item-level relations of four Openness to Experience inventories (Big Five Aspects Scale, HEXACO–100, NEO PI–3, and Woo et al.'s Openness to Experience Inventory), using a network science approach, which allowed items to form an emergent taxonomy of facets and aspects. Our results (N = 802) identified 10 distinct facets (variety-seeking, aesthetic appreciation, intellectual curiosity, diversity, openness to emotions, fantasy, imaginative, self-assessed intelligence, intellectual interests, and nontraditionalism) that largely replicate previous findings as well as three higher order aspects: two that are commonly found in the literature (intellect and experiencing; i.e., openness), and one novel aspect (open-mindedness). In addition, we demonstrate that each Openness to Experience inventory offers a unique conceptualization of the trait, and that some inventories provide broader coverage of the network space than others. Our findings establish a broader consensus of Openness to Experience at the aspect and facet level, which has important implications for researchers and the Openness to Experience inventories they use.
A preference for smooth curvature, as opposed to angularity, is a well-established finding for lines, two-dimensional shapes, and complex objects, but little is known about individual differences. We used two-dimensional black-and-white shapes—randomly generated irregular polygons, and arrays of circles and hexagons—and measured many individual differences, including artistic expertise, personality, and cognitive style. As expected, people preferred curved over angular stimuli, and people’s degree of curvature preference correlated across the two sets of shapes. Multilevel models showed varying patterns of interaction between shape and individual differences. For the irregular polygons, people higher in artistic expertise or openness to experience showed a greater preference for curvature. This pattern was not evident for the arrays of circles and hexagons. We discuss the results in relation to the nature of the stimuli, and we conclude that individual differences do play a role in moderating the preference for smooth curvature.
19 December 2021 in The Journal of Positive Psychology
Visiting art museums is a common activity that a wide variety of people choose to engage in for many reasons. Increasingly, communities, nations, and societies are turning to art museums as institutions to enhance flourishing (i.e., reducing ill-being factors, such as depression, and increasing well-being factors, such as feelings of belonging). In this paper, we review the psychological literature examining art museum visitation and museum program participation and their associations with flourishing-related outcomes. The literature suggests art museum visitation is associated with reductions in ill-being outcomes and increases in well-being outcomes. Additionally, programs targeting flourishing outcomes in clinical or at-risk populations (e.g. people living with dementia, older adults) show benefits to participants, with visits to art museums being socially prescribed across the globe to address a variety of ill-being conditions. Implications for existing knowledge and avenues for future research are discussed.
1 August 2025 in Psychology of Aesthetics, Creativity, and the Arts
People visit museums with differing motivations. We use Falk’s visitor identity model to examine visitors’ motivations to visit an art museum. We assess (1) the prevalence of different motivation types; (2) how visit motivations and outcomes relate to visit satisfaction and length; and (3) the relation between visit motivations and fulfillment of expectations. We found that (1) visitors most strongly endorsed motivations and visit outcomes related to exploration and least strongly to facilitating another’s visit; (2) visit outcomes predicted visit satisfaction and length more strongly than did visit motivations; and (3) visit outcomes largely met or exceeded the visitors’ pre-visit expectations. The present findings suggest that outcomes of the visit matter more than motivations for visiting. We suggest that examining the entirety of a visit—pre-visit motivation and post-visit outcomes—may provide new insights about art museum visits that may be obscured when focusing on just one of these aspects.
1 February 2016 in Psychology of Aesthetics, Creativity, and the Arts
Researchers are challenging college admissions to shift practices to become more inclusive and to consider a range of abilities, including creativity. Admissions counselors must examine limited information and then maximize what they learn. How can admissions counselors use existing data to identify creative students? Research suggests that creative individuals tend to be more involved in extracurricular activities and that those involved in creative activities tend to be more involved in extracurricular activities overall. We expected that extracurricular involvement would predict creativity better than traditional admissions factors alone. Participants were 232 applicants to an undergraduate program recruited by the admissions office who completed online supplements. Data on SAT scores, high school rank, and extracurricular involvement were obtained from admissions files. Creativity was measured through a divergent thinking task, a self-assessment, a rated photo caption, and a rated essay about a student’s dream project. Involvement in art clubs significantly predicted caption creativity, explaining twice as much variance as traditional factors alone. Arts club membership, but not traditional admissions factors, explained a significant amount of variance in self-reported performance creativity (i.e., writing, acting, music, etc.). Curiously, intensity of participation in academic clubs was negatively related to divergent thinking creativity. These findings demonstrate that extracurricular activities reveal valuable information about applicants’ creativity that traditional admission factors do not. (PsycINFO Database Record (c) 2017 APA, all rights reserved)